Puglia is Italy’s heel, where a karst landscape makes its presence felt in the form of caves and sinkholes. Somewhere in the middle of all that is Alberobello, a town known for one thing: trulli. These simple circular dwellings are built without mortar and take their name from the Greek word “troullos” meaning dome.
The nearest airports to Alberobello are Brindisi and Bari. The latter’s the most convenient in terms of onward travel, served from London Gatwick, Stansted and Luton by easyJet, Ryanair and Wizz respectively. Flights can be had for a little under £50 return, excellent value for a flight that’s almost 3 hours long.
From Bari, a train takes you direct to Bari Centrale station, taking about 20 minutes. From there you can pick up the FSE train, tucked away on a far-flung platform – ask for assistance if you can’t find it. Even though it’s an FSE train, you can buy a ticket from the Trenitalia ticket machines (Trenitalia bought FSE in 2018). The fastest connection takes about 1 hour 15 minutes, but it’s more usually about an hour and a half. Tickets are cheap at just 5€ and can be used on any train without the need for a reservation. At the moment, until at least 2020, the stretch of track from Putignano to Martina Franca is being renovated, so there are no trains to Alberobello itself. Instead, you need to catch the connecting rail replacement bus – and fortunately it does connect, waiting for the train if the train is running late. It’s part of the same 5€ ticket, so just show the driver. The bus journey takes about half an hour.
On Sundays, things get a little more complicated. FSE trains don’t run at all. Instead there is a bus service that connects Alberobello to Bari Centrale. Though that might sound simple, the bus doesn’t start from the station. Instead, you’ll need to find the stop – tucked around the corner on Viale Bari near Hotel Astoria and the petrol station. Remember to buy your ticket online or at the petrol station; you can’t buy a ticket on the bus from the driver.
To explore the surrounding countryside, it’s most sensible to hire a car. Though public transport does exist, it radiates from Bari and other large towns and there are few cross-country connections. To visit Matera by public transport, for instance, would require a trip from Alberobello to Bari and then out again to Matera – a long detour.
However, it is possible to catch the train (or Sunday bus) to some of the nearby villages. I enjoyed Locorotondo, the next village along, which is a pleasant outing for the afternoon. There aren’t many sights as such, but the hilltop location affords fantastic views across the surrounding countryside and the pretty old town is compact as a result.
Things to see
The big draw when it comes to Alberobello is Rione Monti. This district is packed with trulli and straggles picturesquely up the hillside. One of the best views across from the town centre is at the Belvedere Santa Lucia. It’s also worth checking out the park beside the tourist information centre and, across in Rione Monti itself, several shops that offer free access to their upstairs terraces.
Close up, it’s not quite as quaint, largely because many of the trulli house souvenir shops – some of which is mass produced tat. A few stood out, including La Bottega dei Fischietti which sells not only the traditional ceramic whistles common to Puglia but also some rather lovely ceramic tableaux.
Nearby, Pasteca La Mandragora sells high quality linens and there’s also a store to delight art lovers called Forme e Colori di De Marco Vita crammed full of brightly painted pottery. Be warned, however, some places that purport to be museums house a minimum of exhibits which exist as a honey trap for unwary visitors.
But it’s also in Rione Monti that you’ll find a 20th century trulli church and where you’ll find the curious Trulli Siamesi. This double trulli has one roof. Legend has it that two brothers fell out over a woman but neither would give up the home they had inherited. Instead of moving out, the spurned sibling bricked up the wall and knocked through to make a separate front door.
You’ll also see plenty of trulli with symbols painted on their roofs. Some people will tell you that these symbols have an ancient spiritual or religious meaning. That’s probably true, but I also read on an exhibit tucked away in a corner of the town’s museum that when Mussolini came to visit in 1927 many of the villagers were asked to paint those symbols on their trulli to add a touch of mystery. This seems to be glossed over now in favour of the more politically correct religious imagery line.
Rione Aia Piccola
The only district to rival Rione Monti in terms of the sheer number of trulli is Rione Aia Piccola, which faces off against its nemesis across Largo Martellotta. In contrast to its touristy neighbour, it’s quieter than you’d expect from somewhere on the tour guide route. Many of the trulli here are private dwellings, though a significant number are let to visitors. You’ll see just how many if you wander through in between check out and check in, when they’re marked by vacuum cleaners and mops on their thresholds.
A tourist map I had been given implied that there was a kind of open air museum here, but there was no evidence of that during my stay – perhaps because it was still early in the season? If you are in Alberobello in the height of summer it would be worth checking out just in case.
In the main part of town, there are also more than a scattering of trulli, one of which is worth seeking out as it is two-storey. This is rare: Alberobello’s trulli were originally modelled on the agricultural buildings found across the Puglian countryside and the dry stone wall construction wasn’t strong enough to support an upper floor.
Trulli Sovrano was built in the 17th century by the family of a priest, taking the name Corte di Papa Cataldo and is now a museum, its rooms recreated with antique furniture. In the front bedroom, a notice pinned to the wall states that the slit was useful for seeing who was at the door, or shooting them if they weren’t welcome. It was at one time a warehouse; if you climb the stairs, you’ll see a trapdoor in the floor used for passing goods down to the floor below. Over the years it’s had many uses, including a court, chapel, grocer’s, monastery and the HQ of the Brotherhood of the Holy Sacrament.
Museo del Territorio “Casa Pezzolla”
Much of the town’s history can be learned within the confines of this collection of fifteen or so trulli which now form a museum. It recounts the impact of the Prammatica De Baronibus, an edict of the 15th-century Kingdom of Naples. The Kings wished to impose a tax on permanent dwellings, so under the leadership of nobleman Gian Girolamo II, the residents of Alberobello were forced to live in trulli. Their dry stone construction made it easy to take them down if an inspection was imminent. The tax dodge worked, serving Alberobello well for many years but in the end, the political situation changed and thus these temporary structures became an enduring part of the urban landscape.
One of the sections of the museum explains the significance of the adornments on the roofs of the trulli. What’s called the “pinnacolo” is the only part of the trulli to be purely decorative, a kind of architect’s calling card. The more complex the design of this topper, the more talented was the master trullaro. It was also a good way of finding a particular trullo amongst so many similar constructions; think of it as the design equivalent of a postcode.
Where to stay
If you’re going to stay in Alberobello – and why wouldn’t you, since once the daytrippers have gone home it’s absolutely gorgeous – then I’d suggest you book Trulli Anti.
While there are plenty of trulli scattered across town that can be rented by visitors, many of them cluster in Rione Aia Piccola. Though that district isn’t as plagued by tour groups during the day as Rione Monti, it’s still on the tourist trail. Where Trulli Anti wins is that it’s close to the sights without being in the middle of them. Plus it’s on such a narrow road that it’s almost impossible for cars to drive past. I only saw one car try it and that was the local police.
That peace and quiet, coupled with its stylish and very contemporary design, gives it 10/10 in my books. If you’re thinking that I’m only saying that because I got a freebie, I didn’t. I paid my own way. It wasn’t cheap for a solo traveller, costing about 125€ a night – though it would be much better value if there are three of you. But oh was it worth it!
The trulli has been well thought out and owner Angelo is keen to ensure you have a great time. On a mezzanine, there’s a very inviting double bed under the domed roof. Lighting is good, and the stairs are pretty solid, which is reassuring as the bathroom is downstairs. That bathroom is chic – I especially loved the tiles and having a shower with some oomph to it. I also need to mention the comfortable sofa (so comfortable I fell asleep on it one evening) and that there’s a single room on the ground floor if you need a second bedroom or you’ve had so much vino you don’t trust yourself on the stairs.
If you plan to cook, there’s also a small but well-equipped kitchen with a dining table. When it comes to eating out, Angelo provides many recommendations and there are several excellent restaurants within staggering distance. Call ahead if you want to try La Cantina as it’s tiny and usually booked out. I had better luck geting into Trullo d’Oro and the food there was delicious. Make sure you try burata, a type of mozzarella that is moist and creamy. Breakfast comes in a box from a nearby cafe, with plenty of choice. You simply pick what you’d like off a menu, send it to Angelo via text message or What’s App and tell him what time you’d like it delivered. You can, if you prefer, eat at the same cafe, a ten minute stroll away.
Out back there is a courtyard garden. During my stay the weather was rarely sunny, but if it hadn’t been wet I’d have loved sitting out there. Angelo supplies bikes too and there’s even an outdoor shower. Pots of flowers add colour to the whitewashed trulli and fairylights create a magical feel. I’m probably gushing, but it was just delightful. Trulli delightful, in fact. Sorry, couldn’t resist.
I booked Trulli Anti via booking.com – here is the link if you want to check prices and availability: https://www.booking.com/hotel/it/trulli-anti.en-gb.html
Regular readers of this blog will know that I’ve worked with Greater Anglia on several occasions. They sponsor me to go to places in the Greater Anglia network and in return, I share my experiences. This weekend, I took the intercity train to Norwich.
Journey time is only an hour from Colchester station, typically around half an hour quicker than it would be by road, and with standard advance fares costing as little as £8 each way, surprisingly cheap. Factor in Greater Anglia’s offers – accompanied children go for just £2 (just turn up on the day and nab this fare for any off peak journey on the network) and 2for1 deals on many attractions – it’s a tempting prospect.
To be honest, the intercity trains that currently run on the Greater Anglia network look pretty dated from the outside. However, when you step inside, they’ve been refurbished as part of a £12m upgrade. What you get is a very comfortable ride. The seats are like armchairs and there’s plenty of legroom. There’s a choice as you’d expect of table seating, great for families or groups of friends, and airline-style seats. That upgrade has paid for new carpets, seat covers, improved lighting and upgraded toilets. Best of all are the at-seat powerpoints, which came in very handy on the return journey when I needed to use my phone which as always had a woefully low battery. It’s also convenient to have onboard WiFi. The only thing I didn’t like was having to lean out of the window to open the carriage door, but fortunately those waiting on the platform helped when I couldn’t quite reach. It reminded me of the slam door trains in the 1970s, though getting out wasn’t as impossible as it was with that horizontal squeeze – if you travelled by rail back then, you’ll know exactly what I mean.
Anyway, I’d got so comfortable it was almost a pity to arrive in Norwich (and I promise I’m not just saying that because Greater Anglia paid my fare) But the sun was shining it was the first really mild day of the year, perfect for a stroll alongside the River Wensum which does a loop of the city centre. The river is almost right in front of the station. Within a couple of minutes, I was walking along a riverbank lined with willow trees. The first landmark I passed was Pull’s Ferry. This flint building was once a watergate and takes its name from John Pull, a ferryman, who ran the boats in the first part of the 19th century. Apparently, the stone that was used to construct Norwich Cathedral came in via this route, having been imported from Normandy.
I strolled further along the river bank until I came to the Red Lion pub. On its slipway, a group of people were stepping into wooden Canadian-style kayaks. Chantal and Nick set up Pub and Paddle a few years ago – this year will be their fourth summer and the business is going from strength to strength. Chantal told me that one of their most popular excursions is also their shortest, suitable for anyone. This four hour rental takes paddlers past the cathedral, football ground and Colman’s mustard factory to the village of Thorpe St Andrew. Most people take a break at one of the riverside pubs before returning to the Red Lion. At only £20 per person, it’s good value. Chantal and Nick make their own kayaks and also have a couple of wooden rowing boats for hire for those wishing to stay in the city centre. I didn’t have time to do this, but it’s definitely a good excuse to return.
My next stop was Cow Tower, a 14th century artillery tower built as a response to the threat posed to Norwich not only by the French but also by local rebel forces. Contrary to what its name suggests, it wasn’t constructed to shelter cows, though this Eastern Daily Press article suggests that might have happened later. Instead, it was named after the surrounding meadow, which was called Cowholm. It was big enough to hold a garrison but now, it’s just a shell, the floors and roof long gone. As a consequence, you can’t go inside. Nevertheless it’s an imposing structure, standing almost 15 metres high, and very photogenic in the spring sunshine, particularly when the daffodils are in bloom. On the other side of the path from the Cow Tower there’s a rather lovely carved wooden seat, its smooth curves perfect for lying back to watch cotton wool clouds scud across a blue sky.
I was reluctant to leave my seat, but wanted to take a look at Norwich Cathedral. Construction began in 1096, using local flint and mortar faced with that limestone imported from Caen. It’s quite a large site – actually two churches and an Anglo-Saxon settlement were knocked down to make room for this new structure, such was its scale. The cathedral close is the largest in England. By 1145, the cathedral was pretty much completed. The same building you see today would have had a wooden spire clad with lead, added in the 1160s. It was struck by lightning in 1169, less than two years after it was finished, so today’s spire dates from 1480.
The cloisters of this very grand church bear a resemblance to the colleges of Oxford or Cambridge and are the second largest in the country after those of Salisbury Cathedral. A quadrangle is bounded by walkways featuring elaborate vaulted ceilings; inside, the cathedral itself is even more impressive.
One of the more interesting modern additions is the copper baptismal font. Formed from two bowls, one upturned, it was donated to the cathedral when it was repurposed from its previous use – making chocolate in the Rowntree’s factory until it closed in 1994. Though a donation is suggested, entry is free. Allow plenty of time as the building warrants more than a quick look.
It was time for lunch and over on Tombland, Cocina caught my eye, two white statues flanking its doorway. Samson and Hercules are Norwich icons, though the figures that you see today are replicas, installed when the originals became too fragile to leave in place. In 1657, the two figures, both symbols of strength, were placed outside the home Christopher Jay, then the Mayor of Norwich.
The statues were removed from their pedestals in 1789 and reinstalled in the rear courtyard of the building; a century later antique dealer George Cubitt moved them back again. At that point, Hercules was in such a bad way he had to be replaced. In the 20th century, the building housed a dance hall and later a nightclub. In 1993, one of Samson’s arms fell off and years of paint were revealed. The two figures you see today might only have been placed there just before the millennium but are a much treasured part of the city’s history.
Taking a circuitous route to take in cobbled Elm Hill, my next target was the Museum of Norwich at the Bridewell. Whether you know a lot about Norwich or like me, embarrasingly little, it’s a fascinating place to spend a few hours. The £5.95 ticket charge is a steal. Originally constructed as the home of a rich merchant in 1325, it became a prison for women and beggars in the late 16th century (that’s what a Bridewell means).
The first inmate was one John Flowers, banged up for being accused of having “a lewd life and to be a counterfeiter of begging licences”. But the most interesting story was that of Jane Sellers. She was the Bridewell’s most persistent offender, serving nine sentences in just eight years in the early 17th century. Her first stint was for “being found idle at Trowse”. Several times she returned, did her time and promised to leave town to find work. But she never did. Instead she was caught stealing numerous times. The burglary she committed at the end of 1631 would be her last. The authorities lost patience with her and she was hanged.
After a pit stop at Jarrold’s for tea, I set off for the Plantation Garden, pausing for a quick look at the city’s Roman Catholic cathedral along the way. The garden is the work of a dedicated team of volunteers. Occupying an abandoned chalk quarry, the garden is Victorian in origin, something you might guess from the many follies and statuary that litter the garden. There’s a gothic fountain, Italianate terrace and mock mediaeval terrace wall, plus delightful woodland walkways and vibrant flower beds. Judging by the many people who’d spread picnic blankets or settled into the benches for a natter, it’s well used by locals and visitors alike. A honesty box is located by the gate for your £2 entrance fee.
Back in the heart of the city, there was time for one last stop before I would catch my train. Norwich Castle occupies a hilltop site overlooking the shopping streets below. There’s a £9.50 entrance fee which is expensive, but I was told that for the final hour each day, you can get in for just £2. Inside, as well as an impressive keep, you’ll find a collection of exhibits, some temporary. Right now, there’s a Viking display which is worth a look, as well as a section telling the story of Boudicca, Queen of the Iceni. For me, the museum lacked the emotional connection I got with the Bridewell, but I’m a hard sell, much more interested in social and industrial history than that of early Britain. If you’re local and have kids, I think they might enjoy the castle’s Knight Club or some of the special Easter events that are planned.
Have your own rail adventure
If you’d like to have your own rail adventure, then why not take a look at Greater Anglia’s website? You could visit Norwich, but there are plenty more places that offer a great day out – read my previous blogs on Harwich or Wivenhoe, for instance. I’d also love it if you would answer the simple yes/no review on this survey – being purely selfish, if you’ve been inspired by my day out, I get to do another!
Bulging veins riddled the man’s substantial biceps, triceps and quiadriceps like a toddler had been let loose with a crayon and scribbling pad. Beads of sweat trickled into the furrows in his forehead. He was mirrored by another, equally intense, performer who lie supine beneath him. Together, they contorted into ever more fanciful positions, bearing each other’s weight and holding positions that required muscle strength and concentration far beyond that which ordinary mortals could summon. The sight, just a metre or so in front of me, was as hypnotic as it was impressive. I, like everyone around me, was rapt.
That was my first introduction to Cirque du Soleil, over twenty years ago. Was it Quidam or Alegria? I can’t remember. Nor can I remember whether it was in the Grand Chapiteau or the Royal Albert Hall. But that doesn’t matter. What’s important is the spectacle of it all, the mesmerising performances that truly deserve the overused and rarely accurate epithet breathtaking. That’s what has stuck with me for all these years and that’s what keeps me going back to see Cirque du Soleil time and time again.
This week, Made and Greater Anglia supported a complimentary trip to see this year’s show, Totem. It was staged at the Royal Albert Hall – a treat in itself. As the lights dimmed, the compere revealed that it was a Royal premiere also, to raise money for Sentebale, a charity working with HIV-positive children in Lesotho and Botswana. Our seats would face those of Prince Harry and his wife Meghan, who wore a dazzling Roland Mouret gown. I felt underdressed in my wool sweater and scarf dampened by rain. Touching my make up free face, I resolved to make a bit more effort next time. But hey, who cares when the lights dim?
Totem wowed, just as the others had done before. From the moment the covers came off the skeletal turtle shell to the waves and bows of the finale, it was a showstopper. Acrobats, unicyclists, Russian bars and of course the almost obligatory Italian clowns – it had all the elements of the successful shows that I’ve come to love.
Stand out moments in the evolution-themed show included the flawless work of the Native American ring dancers and a wonderfully romantic rollerskate interlude conducted on a platform too small for any error. Clever choreography lent itself to a neat evolution of man set piece.
If I had one criticism, it would be that the music lacked the impact of, say, Alegria. As I’m writing this, the title song from what’s probably my favourite of all the Cirque du Soleil shows is playing in my head, although I’ve not heard it for years. Yet less than 48 hours after hearing Totem, I can’t recall a single tune. But don’t let that put you off. Whether you’re a die-hard fan or a Cirque du Soleil newbie, this is a show that you should definitely see. You’ve got until February 26th to catch it this time.
Made provided two complimentary tickets to Totem, for which I’m very grateful. I also appreciated the free rail travel provided by Greater Anglia – driving to the Royal Albert Hall at rush hour wouldn’t have been a pleasant trip at all. The train was clean, comfortable and on time, leaving me plenty of time for a pre-show drink. For more on Cirque du Soleil including ticket booking for the current London run of Totem, please visit their website at:
Moldova celebrates its National Wine Day over the first weekend in October. If you want to sample wines from the country’s many wineries without putting in the legwork, this is your chance. Representatives from the major labels come to the capital Chișinău and set up beside Cathedral Park. The organisers even offer a wine tasting passport with tour guide to provide key background information should you wish to know a little more about what you’re drinking.
From the UK, there are pretty much two direct options: Air Moldova from Stansted and Wizz Air from Luton. (I also found an airline called FlyOne, but it didn’t seem to be operating flights at this time of year.) When I booked, the Wizz Air option was significantly cheaper but did have the disadvantage of flying overnight on the outbound leg. If you’re going to do this one, hope that your hotel will allow you to check in early or prepare to take an afternoon nap. That’s of course if like me you’ve reached the age where staying up all night is no longer a good thing.
There’s a convenient trolley bus which departs from right outside the arrivals terminal door. It takes about half an hour to get into the city centre and costs just 2 lei, about 10p. Look for the number 30 and pay the conductor on the bus. If you need to find change, there are exchange facilities that open early in the morning landside; I bought a cup of coffee which gave me somewhere warm to wait for the bus and the right money to buy a ticket. It was a little disconcerting when the bus stopped and the driver got out; I’d forgotten that trolley buses are a lot of effort when the wires don’t extend the length of the route. What was good, though, was that the buses ran from very early in the morning until late at night, even on Sunday.
Getting a room
I opted for the almost brand new City Center Hostel. It was located just across the road from Cathedral Park and around the corner from the bus stop. My room had twin bunks and for single occupancy cost just £27 for the night. The shared bathrooms were down the hall but were spotless. If you can’t bring yourself to stay in a hostel, next door is the conveniently located Bristol Central Park Hotel and opposite is the Radisson Blu. Both I’m sure are very nice but would set you back a whole lot more.
Getting your culture fix
I’d read that there was a parade and early signs were promising. There were plenty of people in national costume and in front of the big sound stage, rehearsals were still in full swing just minutes before the action was supposed to kick off. I was able to get close enough to see the dancers, which was fortunate as once the formal proceedings began, some rather surly security personnel did a very good job of keeping everyone right back out of the way. The view was further obstructed by press photographers and cameramen. There were no programmes in English, but this lady had brought her own from the local newspaper – no help to me, alas:
Though I did manage to see some of the winery representatives presenting their baskets of grapes, this part of the proceedings was something of a let down. However, later, once all the dignitaries had said their piece, the bands came on and the dancing started – fun to watch and even more fun to join in. The event’s free too, which was even better.
With a tasting passport costing just 200 lei (£10), it’s hard to resist the chance to try as many of the wines on offer as you can. I made my way to one of the information kiosks (they’re located at either end of the main drag) and grabbed a place for one of the English speaking tours.
Our guide was as hipster as they come, but explained the different characteristics of the wine well at first. As the afternoon wore on, he became progressively more tipsy (like the rest of us) and at one point dropped a bottle of wine on the floor in front of him.
Some of the wines were too dry for my taste but I did enjoy the Cricova sparkling wines. I’m no connoisseur – the sweeter and fizzier the wine, the more I like it. Fortunately, the passport contained an extra token for “your favourite” wine so I had a second glass. It was a pity there are such stringent regulations at airports these days as I’d have liked to buy some to bring back.
By the way, if you are going to visit one of the wineries outside Chișinău, I’d recommend Mileștii Mici. Its huge underground vault can hold almost 2 million bottles of wine and its subterranean rooms and passageways extend for around 120 miles. They run organised tours so there’s no need to worry about getting lost down there forever.
Fortunately, there was plenty of opportunity to taste the local food as well, which helped to soak up a little of the alcohol I’d consumed. Adjacent to the wine stands are the food stalls. Many sold similar fare: succulent pork, tasty sausage, cabbage and potatoes. A lot of the stalls sold by weight; you indicated roughly how much they should pile on your plate and they told you how much you owed them. I had a heaped plate for about 75 lei, which worked out to under £4, and it was delicious. Communal tables mean it’s easy to make friends while you eat.
Getting to see more of the city
As I was visiting Transnistria, my time in Chișinău was limited. I did get to see the city’s smallest statue. Representing the Little Prince in Antoine de Saint-Exupéry’s novella, it took a while to locate, not least because someone I asked for directions Googled it and found an old article which said it was yet to be installed. It’s on the railings lining the lake in Valea Morilor Park – persevere and you’ll find it.
I also had a wander around an open air museum outside the city centre on the airport road; there was a wedding taking place so I didn’t have the chance to go in the wooden church. I finished up at the Ciuflea Monastery. Despite being close to the main road, it was remarkably peaceful.
Piccadilly, Central, Circle – most of us are very familiar with the London Underground. But there’s another subterranean railway and it links Whitechapel in the east to Paddington in the west. Long before the DLR was operational, it ran without drivers and guards. It carried freight beneath the streets of London and kept an industry efficient despite the capital’s heavily congested streets.
That railway is MailRail and though it was closed by the Royal Mail in 2003, the good news is that last year, specially adapted, it opened for visitors as part of the new Postal Museum. If you haven’t been, I’d urge you to go. From small children to the elderly, this is a true family attraction with something to interest everyone. Last week I was lucky enough to be offered a complimentary visit courtesy of Made and enjoyed a fun afternoon at the Postal Museum as their guest.
We began at the Postal Museum Exhibition. I expected to want to rush this part of the visit in my excitement at having the opportunity to ride MailRail. In fact, the exhibits have been very well thought out and I was soon engrossed. Many of us don’t realise that the postal service in Britain began as a private service for Henry VIII. The term “the post” referred to the horses that were used as transport. But the King’s couriers took on covert work to supplement their income and soon the notion of sending something through the post was commonplace – amongst the wealthy at least. Ironically, most of the post boys couldn’t read and letters bore the symbol of a hanged man as a stark warning not to steal the letters’ contents. The advent of the mail coach reduced the risk of robbery and increased reliability.
In the Victorian era, the Royal Mail as we know it was born. Rowland Hill submitted his proposal for postal reform in the 1830s. He suggested the introduction of uniformly low prices based on weights rather than distance, as well as the system of prepayment which we take for granted today. His ideas met with a favourable response. In 1840, the Penny Black was introduced and for weightier letters, the Twopenny Blue.
The museum features plenty of interactive exhibits. You can dress up in vintage mail uniforms and create your own stamp with your picture on it. There were also plenty of surprises. I learnt that pillar boxes were originally green. They were road tested in the Channel Islands in the 1850s before being rolled out across the UK soon after. But the colour was thought dull and dreary, so red paint was introduced a couple of decades later.
Blue airmail boxes also existed and on them were lists of last posting times for key cities around the world. The inclusion of Algiers is a reminder that places become more and less important to others as times change. Colonial names like Tanganyika, Persia, Siam and Ceylon can still be seen on this 1930s box. If you’d have wished to send a letter from London to Brisbane at this time, it would have taken 12 days to arrive. With a journey length of 12700 miles (when you take into account the many stops), it was the world’s longest air route at the time it was launched, in 1935.
Engaging though the museum was, the highlight of the afternoon was to be found across the street: MailRail. The Post Office Railway was rebranded on the occasion of its 60th birthday in 1987 to this catchier brand name, but in actual fact, the idea of a railway for the postal service had been mooted as early as 1909. The route linked the six big sorting offices with two mainline train stations over 6.5 miles of track.
Sacks of mail were transported on these trains and an army of employees manned the platforms unloading the precious cargo. The trains ran for 22 hours a day, six days a week. An estimated 4 million letters passed through the system every day. A series of lifts, chutes, conveyors and elevators were used to avoid “laborious man-handling of bags” which would slow the whole process down. Automatic train control was in operation, leading some employees to comment that it was like having their “own giant train set to run”. With as many as eighteen mail cars speeding around the system at any one time, they needed to keep their wits about them.
The mail was sent by overground train to the different parts of the UK and postal workers sorted it by destination while on the move in what was called a Travelling Post Office. This part of the museum has a mock up of such an onboard sorting office which you can use to file “mail” – as the carriage rocks it’s not easy to keep your balance if you’re not used to the motion.
The ride itself lasted about fifteen minutes, completing a loop under the Mount Pleasant section of the railway beginning and ending at what was once the maintenance depot. When operational, express trains would have taken the same amount of time to run between Liverpool Street and Paddington – try doing that on the Tube now! It was well done – from the cramped compartments we listened to an informative commentary and enjoyed some interesting audio-visual projections along the route.
Though you might struggle if you’re claustrophobic, spare a thought for my father. A retired engineer, he once carried out a survey of some of London’s sorting offices and was sent with his bags via MailRail. That would have been a very tight squeeze. At least now you get to leave your stuff in the lockers provided!
The Postal Museum and MailRail are open all year except for 24-26th December. Opening hours are 10am to 5pm with the last train departing at 4.35pm. Allow at least a couple of hours for your visit. As you need a timed ticket to ride the railway, it’s best to buy your tickets in advance. Details of ticket prices and other information can be found on the Postal Museum’s website here:
The thrill of seeing animals in the wild in Africa’s national parks is one of life’s great travel adventures. But sometimes you can’t wait for Africa to get your travel fix. A visit to Port Lympne Reserve in Kent, owned and managed by the Aspinall Foundation, provides an opportunity to go on safari without leaving the UK, but how does it compare to the real thing?
The organisation’s credentials are good: known for its work breeding rare and endangered species, the park is home to 25 painted dogs, 17 Western lowland gorillas, 15 Eastern black rhinoceros and 5 Rothschild giraffes. The park’s animals are housed in a variety of ways, with some roaming freely across acres of rolling fields and others in purpose built enclosures.
It’s possible to visit for the day but for a special occasion, Port Lympne has a range of overnight accommodation. We chose to rent a cottage, but could equally have spent the night in a glamping tent, hotel or even a treehouse suite. Further accommodation is planned, as is a spa, expected in around 18 months time.
Our cottage slept eight and was very comfortable for our party of six. Each of the four bedrooms was a generous size, in particular the master suite, which had a huge bathroom attached. Attention to detail was evident throughout, such as finding cute little elephant hooks for the bathroom robes. We enjoyed the services of a personal chef who cooked us a three course dinner and came back to serve up a full English the following morning. It was an impressive set up which pleased everyone.
From the windows, we looked down over fields grazed by some of the park’s animals, though admittedly from a distance. If you’re serious about wildlife spotting from your bedroom, you’re going to need to bring binoculars. There was something almost surreal about hearing the shout of “Quick! I can see a rhino from the bathroom window!” when your brain is protesting you are so close to home. Less fun was finding the nieces had hidden the resident oversized gorilla plushy with the spooky eyes in our bath as a joke, though they found my screams hilarious.
But it was the safari experience that set the trip apart. Our guide, Rebecca, was knowledgable without being preachy and supplied enough anecdotes to prevent the whole thing turning into a Biology field trip. She explained about conservation and environmental pressures on creatures in the wild in the context of the animals’ own personal histories. We didn’t see the new born giraffe that was resolutely hiding inside, but we did meet the extended family from our Land Rover vantage point.
Larger safari trucks ferry passengers around Port Lympne’s extensive site, but the advantage of being in a smaller vehicle was that we could go off road from time to time to get a closer look at some of the grazing herds.
The Bactrian camels looked somewhat scruffy as they were blowing their fur coats, and somehow wildebeest always do, but the small herd of Chapman zebra looked to be in fine condition. Save for the distant view of the English Channel, we could have been on that African safari.The morning safari was shorter, but took us to different parts of the park to see ostrich, eland, baboons and more.
Afterwards, we spent a few more hours wandering the pedestrian paths that looped the animal enclosures, timing our visit to the gorillas to coincide with feeding time and watching a Siberian tiger hunt out meat that had been hidden in her patch.
It felt slightly odd to be seeing primates in cages after our safari, but obviously it wasn’t going to be safe, practical or possible for a silverback to be mingling with the crowd.
How did I feel about the trip? Well I came home and booked a flight to Uganda. I’m going to be taking my third African safari in early 2019.