Over the last 25 years, I've visited over a hundred countries and learned a lot about saving money without scrimping on the travel experience. If you're looking to broaden your horizons and make your travel budget stretch further, then Julia's Travels is for you. To find out more about my work as a freelance travel writer, please visit www.juliahammond.co.uk.
There’s been some discussion in the press and on social media about a possible COVID vaccine passport. Currently, as you’d expect from an unanticipated pandemic, the response to traveller demand has been inconsistent, with each nation making their own decisions about how to proceed. Some require advance or on arrival COVID testing, others have closed borders and a few have relied on track and trace. Keeping abreast of changes to know what the current situation is can be tricky, as I discovered when I travelled to Iceland in the summer.
Now there’s a vaccine on the cards, IATA has put forward its Travel Pass. This will be a digital platform where data on tests, vaccines and other relevant information can be stored securely. The scheme is due to be piloted this December and launched in the first half of 2021. The advantage of a speedy rollout is designed to dovetail with the vaccination programme – in other words the idea is to ensure that if you have a vaccine early in 2021 it would be recognised on this database.
Of course, there can be no assumption that the vaccine will work for everyone, nor will every negative test result ensure that the person sitting next to you on that plane won’t be an asymptomatic carrier. There are no guarantees and with a disease as contagious as COVID-19, even a digital travel pass won’t provide enough reassurance for some.
In the past, other travel vaccinations have been linked to entry requirements. When I visited Panama, I had to carry the yellow fever vaccination booklet to show to border officials if asked; I wasn’t. When applying for a visa to visit Uganda last year, I needed to supply that same proof of a yellow fever vaccine as a condition of receiving it. The WHO has this to say about yellow fever:
“The vaccine provides effective immunity within 10 days for 80-100% of people vaccinated, and within 30 days for more than 99% of people vaccinated. Good supportive treatment in hospitals improves survival rates. There is currently no specific anti-viral drug for yellow fever.”
Right now, results from the coronavirus vaccine trials indicate that they don’t have such a high success rate. But in terms of vaccines being a component of the decision on whether to permit you to travel, there’s obviously a precedent. Many of us can choose whether or not we wish to fly internationally and we can also therefore decide whether we are comfortable with both the risks involved in air travel and also with our personal information being stored in the manner IATA suggests.
As Australia’s relative isolation and sparse population have helped keep cases low during the pandemic, it was no surprise to read that Qantas was the first airline to come out and say they’ll require passengers to be in possession of this kind of travel passport when a vaccine’s been rolled out. Boss Alan Joyce was quoted in the press at the end of November as saying he felt it was a necessity to boost confidence and enable air traffic to get back to some kind of normal. That news didn’t go down well with UK travel agent Tradewinds, who countered with an announcement that they would cease booking their customers on the Australian airline. Their argument? They were pro-choice rather than anti-vaccine, they said. (As far as I can see, they aren’t offering tours to Uganda, which would have been interesting.)
Personally, I’m comfortable with having the vaccine – in the same way I’ve opted for typhoid, hepatitis and even the fairly useless cholera jabs in the past. So long as my personal data’s stored securely, I’m also OK with carrying a health passport. However, I respect that not everyone feels the same way. What about you?
Where were you this time last year? If I was asked that question based solely on memory, I’d struggle to remember. One of the downsides of being a travel writer (and there aren’t many) is that I travel so often that it’s almost routine. That means that although I’ve enjoyed pretty much everywhere I’ve visited, it takes something extra special for it to stick in my mind. If not, then I have my trusty notebook, tens of thousands of photographs and a back catalogue of articles to refer to.
This spring, for a time at least, I didn’t even want to look back. Knowing that there were so many places I still wanted to visit with the world pretty much closed to travel made it just too upsetting to even think about. Like many of us, I turned to my local area, walking some of the coastal and riverside paths that we have in abundance. Once it was permitted, I squeezed in trips to Iceland and Madeira before autumn brought Lockdown 2.
Restrictions this time have been a little different. Much more is open, a vaccine’s looking likely and there’s a gradual stream of messages in my inbox from past clients looking to restart blogs, revamp online content and send out newsletters to their customers to let them know they’re planning to open for business again. The situation’s far from normal, whether measured in terms of confidence or volume of work, but there’s hope that 2021 might not be quite so awful for travel as 2020 has been.
Within that context, I’ve not felt as despondent looking back at past travels. I’ve spent many hours trawling through unsorted photographs to create photobooks of Cuba, Madeira and The Faroes. I’ve allowed myself to reminisce about my favourites – US road trips, walks in the Austrian Tirol, Seychellois beaches, Day of the Dead in Mexico, German Christmas markets and past holidays to Peru and Chile.
One thing I’ve done for the first time is click on my Facebook memories. Though I don’t really see much point in reposting old content, it’s been fun to take a look back at where I was on this day in years past. I’ve never much enjoyed November with its grey days and lengthening nights. When I stopped teaching in favour of this new, more flexible life, the first November was spent in New York and Mexico’s Mayan Riviera and I’ve not looked back since.
This time last year, I was exploring the delightful Moroccan city of Chefchaouen feeling anything but blue; the year before I was drinking rum and coke with Nigel Benn’s auntie in Barbados. In 2017, I discovered how varied and pretty Cape Verde was, while four years ago I’d already ticked off my frst German Christmas market with a day trip to Regensburg. This year I’ve been in Essex, but I hope in November 2021 I will be able to report back from somewhere more exotic.
Every now and again, the debate over whether counting countries makes someone less of an authentic traveller or not rears its head. I’ll freely admit, I’ve added places to an itinerary simply because I’m going to be just across the border and the urge to explore is strong. But it’s also great to revisit a place and dig a bit deeper. That said, there’s a temptation when you do go back to see yourself as some kind of expert. Usually, that’s not at all true, but what about when it’s your local city?
When I was offered the chance to review Jonglez Publishing’s “Secret London: An Unusual Guide”, I thought it was a chance to see just how well I knew the city. Both my parents were born there and as I’ve lived all my life under an hour from Liverpool Street station, I’ve been a frequent visitor. In that respect, although I’ve never lived in London, I do know it well and think I’m reasonably well qualified to determine whether the places included in the book should be deemed “secret” or not.
The extensive list of contents is zoned into broad geographic areas, such as Marylebone to Shepherd’s or Whitechapel to Woolwich. “Towerbridge” niggles, but the error is fixed in later pages. I’d say you have to know the city already to be able to make sense of the geography, though the flip side of that is that the book is designed for people who wish to get off the beaten track and by definition, they’re more likely to have already visited.
I’d have liked to see neighbourhoods or the more usual East, South, West and North London split to make it easier for readers to get their bearings. Greater London is dealt with in two halves, so you have BAPS Shri Swaminarayan Mandir in the same section as God’s Own Junkyard yet they’re 15 miles apart on opposite sides of a congested city.
In this respect, the guide’s more suited to curling up in an armchair than taking it out with you. In many cases, the listings seem to be designed to be sufficiently informative that you don’t need to visit at all, with tons of background and a colourful picture. However, there are helpful maps throughout which enable you to concentrate on a small part of the city and hop from sight to sight should you wish. The inclusion of bus numbers as well as Tube stations is also useful.
Largely, the buildings and curiosities that the authors include are intriguing. One of the guide’s greatest strengths is to gently remind you that many of these things are hidden in plain sight. Some of the attractions featured are a surprise: Brixton is home to London’s last windmill in full working order, while Strand Lane’s Roman Baths are neither Roman nor originally built as a bath.
There’s a lot in here that is already familiar to me, but there’s also a lot which isn’t.Though it’s possible to dip in and out of this guide, it’s the kind of book that rewards those who give it a little more time. There are a few missed opportunities, such as an entry for the Kingsway Tram Subway that makes no mention of the Crossrail project. Thanks to the coronavirus pandemic, anyone hoping to visit some of these attractions is going to need to check online listings as many of them are currently closed.
Overall, I think it’s a worthy addition to any bookshelf – not to mention its gift potential if you’re stuck for present ideas. I can’t wait to take it up to London with me and see some more bits of our fascinating capital now I know more of the background.
Many thanks to Jonglez for the gift of several of their guides, including the Secret London guide which retails at £12.99. For a full list of titles visit the Jonglez Publishing website.
These are stressful times but one of the best ways to find a way through this with your sanity intact is to walk. As you connect with your surroundings, you’ll find yourself using more of your senses – you won’t just see what’s around you but be able to smell, hear and touch it. Slowing down the pace gives you time to appreciate what’s around you in a way that taking a scenic drive cannot. Here in Essex, thanks to our flat topography, walking really is accessible to everyone.
Even before the pandemic, Country Walks magazine was encouraging us to get out and explore on foot to improve our fitness. Its Walk 1000 Mile challenge was as simple as it sounds; walk, record, share. If you walk every day, that’s less than 3 miles in one go each time you lace up those boots. The initiative launched early in January, with a year suggested for covering the 1000 mile target, but there’s no reason you can’t start whenever you like. Use an app such as Map My Walk or Strava (not just for runners and cyclists) to keep track of the distance you’ve covered.
Be mindful of the lockdown rules
Before you head out on a cross-county drive to explore somewhere new, bear in mind the UK government’s lockdown guidance, which currently extends until December 2nd. Walking with members of your household or support bubble is permitted, and it’s also legal to meet with one other person. Plan ahead so you’re abreast of seasonal parking options and road closures.
Give other walkers space; carry a mask for areas which might be busy, such as queuing for a car park ticket or a takeaway coffee. Carry some hand sanitiser to ensure you don’t unwittingly pick up germs from a gate or bench. We might not all agree with the government’s policy, but restrictions will only ease if the numbers come down and we all have a responsibility to try to achieve that.
Where to find information
If you’re looking for a walking book there are a number of good choices, but one of the best is Essex Outstanding Circular Walks by Dennis and Jan Kelsall. Suggested routes are grouped by length, giving you a good idea of how long they might take, and there are clear maps too. Best of all, you’ll conveniently end up where you started.
There’s also a wealth of online content available. If you’re not able to get connected at home, sixteen Essex libraries are open and 45 minute computer sessions are bookable in advance. These are the libraries which remain open during the lockdown: Basildon, Billericay, Braintree, Brentwood, Chelmsford, Clacton, Colchester, Dunmow, Epping, Harlow, Harwich, Maldon, Rayleigh, Rochford, South Benfleet and Witham.
A useful starting point on the internet is the Essex Walks site. It has a useful map search facility which means you can identify walks near to your home. It also splits walks into long and short, allowing you to pick a route which is suitable for your fitness level and the amount of time you can spare. Fellow travel writer Helen Moat wrote a great round-up piece for Wanderlust magazine this summer, which mostly features walk ideas that showcase our varied coastline.
If you’re on Facebook, then I recommend you check out the Rambling Essex group. Largely driven by member-suggested content, this is where you’ll find the local walks and hidden gems that can only come from those who live here. The admin team have been diligently uploading all sorts of walking routes, so if you’re looking for inspiration, this is the place to find it.
Some of my favourite Essex walks
Woodland: Marks Hall Arboretum
We’re blessed with many woodland walks in Essex: well-trodden paths cut through Hockley Woods, Billericay’s Norsey Woods and Belhus Country Park in south Essex. Further north, the county boasts hidden gems such as Blakes Wood near Danbury, Chalkney Wood near Earls Colne and Weeleyhall Wood near Weeley. Let’s not forget Epping Forest, which remains an unspoilt tract of countryside despite its proximity to London.
Marks Hall Arboretum, in my opinion, is in a league of its own. This time, it will stay open during lockdown; the mix of formal planting and natural woodland makes this place a delight to visit at any time of year, but it’s especially lovely in autumn with its palette of ochre, burnt orange and crimson. It’s becoming increasingly popular, so check ahead for opening times and car park information.
Village walks: Thaxted
Inland, there are plenty of walks which loop within and around some of the county’s cutest villages. Coggeshall’s packed with history, not least as you stroll past Grange Barn or Paycocke’s House. A walk from Bradwell-on-Sea soon takes you to England’s oldest chapel, St Peter-on-the-Wall, built in 654AD. Follow St Peter’s Way 40 miles across Essex and you’ll reach another historic place of worship, Greensted Church, the oldest wooden church in the world.
The Essex countryside is also littered with windmills. The oldest, a post mill, stands overlooking the chocolate box village of Finchingfield but as far as walks are concerned, my vote goes to Thaxted. A loop trail reveals not just an early 19th century tower mill but also Dick Turpin’s house, thatched almshouses and the beautiful 15th century Guildhall.
Riverside walks: the Wivenhoe Trail
It’s really hard to pick a riverside favourite as there’s just so many to choose from. The charms of the River Stour at Dedham Vale are well-documented, but it’s also a treat to walk east from Manningtree to Harwich, passing Wrabness and the quirky House for Essex along the way.
The Blackwater at Wickham Bishops reveals an almost hidden wooden trestle railway bridge tucked out of sight in a copse, the last of its kind in the country. Not far away, the Chelmer & Blackwater Navigation has a number of highlights, including Paper Mill, Hoe Mill and Beeleigh locks, not to mention Heybridge Basin, of course. The Crouch is pleasant too, particularly the north shore from Fambridge to Burnham-on-Crouch.
I do enjoy the five miles or so from Hythe in Colchester to Wivenhoe. The industrial heritage at the start of the trail is fascinating – you won’t miss the Colne Lightship in its red livery but there are some unusual wooden carvings that are easier to overlook. Wivenhoe, with its pretty historic cottages and colourful boats, is a complete contrast.
Coastal: Walton on the Naze
Surprisingly little of the Essex coastline boasts broad sandy beaches, as the presence of salt marsh creates a buffer between the villages and the sea in places. At RSPB Old Hall Marshes, near Tollesbury, and at Wallasea Island, footpaths make use of the sea walls for hikes that are guaranteed to blow away the cobwebs. That’s not to say we’re short of sand, however, from the busy beaches flanking Southend Pier to the historic iron lighthouses on Dovercourt’s Blue Flag beach.
In my opinion, the stretch of coastline between Jaywick and Hamford Water takes some beating. Though the grassy dunes of Jaywick are photogenic and the greenswards at Clacton and Frinton are ideal for a dog walk, northerly neighbour Walton is head and shoulders above the rest. With an 18th century clifftop tower, wrecked pillboxes, promise of shark’s teeth fossils and a nature reserve that’s home to migratory birds during the winter months, what’s not to love?
One last thing: show respect for local landowners
I’m always saddened to read of conflicts between ramblers and local landowners. Private land is what it says, whether we like it or not. Farmers out in their fields using machinery shouldn’t have to worry about people straying into their path – it’s important to remember that 72% of Essex is agricultural land, so stick to footpaths and marked trails if you’re venturing out into the countryside.
I spent five days exploring Madeira and it wasn’t nearly enough to discover its charms. Based in Funchal, I enjoyed several early morning strolls around the old town while waiting for buses to take me around the island. Those walks revealed a novel art project instigated by local photographer José Maria Zyberchem in 2010, coincidentally about the same time as Instagram began. It’s called the Art of Open Doors – and as it’s evolved, now centres largely on Rua de Santa Maria in the Zona Velha. The first piece of artwork on that street – at number 77 – was commissioned in 2011 and the project’s still growing.
Homes, restaurants and shops combine to form one wonderful outdoor art gallery, as diverse as it is compelling. Some owners were more reluctant than others, particularly at first, but this is the kind of project that snowballs. The more doors they include, the greater the impact of the whole installation. As property changes hands, some of the art is painted over. In one or two cases, vandals have spoiled the original work. But, many of the doors are as they were when the artist packed away their brushes.
The Painted Doors Project, as it’s also known, provides an interesting insight into Madeiran culture, with images of poncha, folk dancing and the island’s colourful flora all making an appearance. Some artists make imaginative use of door knockers and post boxes within the design. Some are modern in style, others contemporary. All of them help to breathe new life into an area that was definitely looking a little rough round the edges.
Do you have a favourite? I’m hard pushed to choose and always a sucker for a dog, but if I had to pick, then perhaps the mermaid.