Gainsborough’s House with Greater Anglia
When was the last time you looked at a painting? I don’t mean a casual glance, I mean really study the detail? If, like me, it’s been a while, then you might want to head to Sudbury before October 27th for a visit to Gainsborough’s House, which showcases the largest collection of the artist’s work in the country. No matter how much of an art philistine you might be, you’ll find yourself impressed by the subtleties of form and light and colour in the paintings that are on display.
However, you’ll need to get your skates on. The house closes for extensive remodelling in just a few weeks’ time. Downstairs is an exhibition on loan from a private collector, featuring works not only by Gainsborough, but also Turner, Constable and Lawrence. For me, surprisingly, the standout was a large painting not by Gainsborough but by John Constable of Salisbury Cathedral surrounded by meadows. When the museum closes its doors, they’ll be returned to their owner and will no longer be on public view. Upstairs, the comprehensive works will go into fine art storage. Some will be temporarily loaned to the Pushkin Museum in Moscow, but it’s an awful lot easier – and cheaper – to hop on a Greater Anglia train instead.
Reached by train via the aptly named Gainsborough Line, Sudbury’s an easy day out by rail from London or East Anglia. This sleepy Suffolk town has surprisingly much to offer the visitor, not least the skull of Simon of Sudbury, hidden in the vestry of St Gregory’s church, and Vanners, one of several working silk mills in the town. Incidentally, when the new gallery is unveiled in 2021, you can expect to see Vanners’ silks adorning the walls.
Nevertheless, the star attraction is the house that acclaimed artist Thomas Gainsborough grew up in. He was born there in 1727 and as a child developed a love of sketching and painting landscapes. One of the obituaries published after Gainsborough’s death said simply: “Nature was his teacher, and the woods of Suffolk his academy.” Travelling by train gives you time to appreciate such leafy views instead of concentrating on the road, something that the team at Greater Anglia would like to remind you with their latest promotion, Room with a View. That said, you’ll travel across rather than beside the imposing Chappel Viaduct. Of course, you could always make a day of it and alight at Chappel & Wakes Colne station for the East Anglian Railway Museum to get the best of both worlds.
But I digress. Packed off to London at a tender age to hone his skill, Gainsborough’s artistic bent meant that earning a living as a portrait painter was potentially a lucrative profession. But he hated painting people, calling it “the curs’d face business”. Where possible, Gainsborough would pay as much attention as he possibly could to the background, lavishing the setting with what the churlish might describe as superfluous details of flora and fauna. He was less concerned with getting the faces right, and some of his finished pieces have a distinct touch of the wooden artist’s mannequin about them. To be fair, it didn’t seem to bother his clients much. Nor Gainsborough himself – when the work dried up he moved on, plying his trade not only in Sudbury, but also in Bath and London.
Gainsborough’s landscapes are nothing short of magnificent. In “Wooded Landscape with Cattle by a Pool”, first shown in 1782, the light is captured perfectly. The cattle, in shadow, and the crepuscular shafts of light on the pond complement each other perfectly. As a photograph, such a scene would be impressive; as a painting, it blows your mind. In “Wooded Landscape with Old Peasant and Donkeys outside a Barn, Ploughshare and Distant Church”, the peasant slumps onto his staff, donkeys resting at his feet, a little weary from a hard day’s work but pleased with what he’s achieved. It’s such details that create such a strong connection with those who view them today. Let’s face it, we’ve all had days like that peasant.
At Gainsborough House, the garden too is a delight. A 400 year old mulberry tree takes centre stage; think about it – that tree would have been there when Gainsborough was a boy. Although it’s the wrong variety to be used for producing silk (how neat would that have been?) its fruit is used to make jam to gift to the gallery’s patrons. There’s also a quince tree and a medlar; if you want to try those, Wilkins of Tiptree products are sold in the museum shop along with an extensive range of gifts.
To find out about timetables and fares on the Gainsborough Line, visit the Greater Anglia website. For Gainsborough House exhibit details and opening times, click here. While I am grateful for the complimentary train ticket and admission, all views expressed are my own.