When was the last time you looked at a painting? I don’t mean a casual glance, I mean really study the detail? If, like me, it’s been a while, then you might want to head to Sudbury before October 27th for a visit to Gainsborough’s House, which showcases the largest collection of the artist’s work in the country. No matter how much of an art philistine you might be, you’ll find yourself impressed by the subtleties of form and light and colour in the paintings that are on display.
However, you’ll need to get your skates on. The house closes for extensive remodelling in just a few weeks’ time. Downstairs is an exhibition on loan from a private collector, featuring works not only by Gainsborough, but also Turner, Constable and Lawrence. For me, surprisingly, the standout was a large painting not by Gainsborough but by John Constable of Salisbury Cathedral surrounded by meadows. When the museum closes its doors, they’ll be returned to their owner and will no longer be on public view. Upstairs, the comprehensive works will go into fine art storage. Some will be temporarily loaned to the Pushkin Museum in Moscow, but it’s an awful lot easier – and cheaper – to hop on a Greater Anglia train instead.
Reached by train via the aptly named Gainsborough Line, Sudbury’s an easy day out by rail from London or East Anglia. This sleepy Suffolk town has surprisingly much to offer the visitor, not least the skull of Simon of Sudbury, hidden in the vestry of St Gregory’s church, and Vanners, one of several working silk mills in the town. Incidentally, when the new gallery is unveiled in 2021, you can expect to see Vanners’ silks adorning the walls.
Nevertheless, the star attraction is the house that acclaimed artist Thomas Gainsborough grew up in. He was born there in 1727 and as a child developed a love of sketching and painting landscapes. One of the obituaries published after Gainsborough’s death said simply: “Nature was his teacher, and the woods of Suffolk his academy.” Travelling by train gives you time to appreciate such leafy views instead of concentrating on the road, something that the team at Greater Anglia would like to remind you with their latest promotion, Room with a View. That said, you’ll travel across rather than beside the imposing Chappel Viaduct. Of course, you could always make a day of it and alight at Chappel & Wakes Colne station for the East Anglian Railway Museum to get the best of both worlds.
But I digress. Packed off to London at a tender age to hone his skill, Gainsborough’s artistic bent meant that earning a living as a portrait painter was potentially a lucrative profession. But he hated painting people, calling it “the curs’d face business”. Where possible, Gainsborough would pay as much attention as he possibly could to the background, lavishing the setting with what the churlish might describe as superfluous details of flora and fauna. He was less concerned with getting the faces right, and some of his finished pieces have a distinct touch of the wooden artist’s mannequin about them. To be fair, it didn’t seem to bother his clients much. Nor Gainsborough himself – when the work dried up he moved on, plying his trade not only in Sudbury, but also in Bath and London.
Gainsborough’s landscapes are nothing short of magnificent. In “Wooded Landscape with Cattle by a Pool”, first shown in 1782, the light is captured perfectly. The cattle, in shadow, and the crepuscular shafts of light on the pond complement each other perfectly. As a photograph, such a scene would be impressive; as a painting, it blows your mind. In “Wooded Landscape with Old Peasant and Donkeys outside a Barn, Ploughshare and Distant Church”, the peasant slumps onto his staff, donkeys resting at his feet, a little weary from a hard day’s work but pleased with what he’s achieved. It’s such details that create such a strong connection with those who view them today. Let’s face it, we’ve all had days like that peasant.
At Gainsborough House, the garden too is a delight. A 400 year old mulberry tree takes centre stage; think about it – that tree would have been there when Gainsborough was a boy. Although it’s the wrong variety to be used for producing silk (how neat would that have been?) its fruit is used to make jam to gift to the gallery’s patrons. There’s also a quince tree and a medlar; if you want to try those, Wilkins of Tiptree products are sold in the museum shop along with an extensive range of gifts.
To find out about timetables and fares on the Gainsborough Line, visit the Greater Anglia website. For Gainsborough House exhibit details and opening times, click here. While I am grateful for the complimentary train ticket and admission, all views expressed are my own.
It’s been a busy few weeks for me when it comes to travel. I expect a lot of people think a travel writer is always travelling, but I choose to work part time and limit the number of trips I make so that I can be here for family and my beautiful dogs. Nevertheless, travel is always a privilege. Kyrgyzstan really blew me away, but 16 hours after stepping through the front door it was off to Devon, having written three articles and done five loads of washing – oh how glam! As we drove across the Dartford Bridge, a Eurostar passed beneath us, reminding me that travelling by train really is the best way to travel. So I was very pleased to have a day out in London courtesy of Greater Anglia to look forward to.
One of the most frustrating things about train travel is when there are no trains. The dreaded words “rail replacement bus” strike fear into us all, so I was really pleased when Kerri from Greater Anglia informed me that there is almost no engineering work planned on our lines into Liverpool Street all summer. She told me:
“Network Rail has paused its engineering work on the mainline for the summer with only a couple of exceptions – Sunday 16th June, when all journeys will involve a change at Stratford for the Underground into London, and Sunday 8 September, when there are buses between Colchester and Chelmsford during the morning.”
So if you were thinking of a trip up to London, then this summer’s an excellent time to go. For this week’s visit, I decided to focus on the South Bank. It’s a great area for families as there are a number of kid-friendly attractions. The London Dungeon, Shrek’s Adventure and Namco Funscape are all located close together. I opted for a visit to the SEA LIFE London Aquarium and a ride on the Coca Cola London Eye.
First up: the aquarium. What used to be the London Aquarium, housed in the bowels of County Hall at Westminster Bridge, was bought by Merlin Entertainments in 2008 and reopened a year later with a new look. It receives mixed reviews on Trip Advisor, but I was interested to see what it was like for myself. I’m sorry to report that my visitor experience didn’t get off to a good start. The member of staff who dealt with me on the ticket desk was rude and her manager wasn’t much better. Fortunately the other members of staff I encountered were more helpful and enthusiastic.
The SEA LIFE London Aquarium exhibits are arranged IKEA-style. Once you’re in, there’s no going back and even though I was assured it was a quiet day, there were some bottlenecks. At the penguin enclosure, two large primary school groups meant that it was difficult to see the birds, who’d taken themselves off down to the far end of their space, presumably for a bit of peace and quiet! The huge shark tank was very impressive, however, and I thought that it was well designed as you could get access to the tank’s windows on two different levels. Most impressive were the jellyfish, mesmerising as the lights illuminating them changed colour.
Throughout, there are a lot of opportunities to interact with the exhibits. The kids I saw really enjoyed being able to stick their heads into the perspex domes to get a 360° view of the marine life swimming around their heads. However, it isn’t a cheap day out. Standard tickets cost £27, though families could save a little by purchasing a family ticket. Adults would pay £26, children from 3-15 £22 and under 3s free. To snorkel with sharks for 15 minutes would set you back £150.
Next: the London Eye. This was a completely different kettle of fish if you’ll pardon the pun. I’ve been before and it never disappoints. Their customer service is excellent. Every member of staff I spoke to couldn’t have been more friendly and genuinely wanted to ensure I had the best time. And it wasn’t just because I had a complimentary pass; I listened in on a few other conversations and was delighted that staff were so polite and helpful to everyone. Though they offer a VIP experience, it seemed that those staff managing the queue to board treated everyone like a VIP.
The flight was great, even though the sky was threatening rain with dark thunder clouds in all directions. It brought to mind my first ever visit to the London Eye, not long after it opened, when an elderly lady behind me in the queue was rocking a hat she’d fashioned from a John Lewis carrier bag. This time, the rain held off and visibility was pretty good. We were a mixed bunch in our capsule, with visitors from the USA, Brazil and New Zealand all giving it the thumbs up.
“Best day ever!” one lady said.
Big Ben of course is covered in scaffolding, but it was interesting to see how much the skyline had altered in those almost two decades since my first visit. If you don’t know your Gherkin from your Walkie Talkie, there’s a useful 360 degree map that will cost you £2 on top of the price of your ticket which will help you identify what you’re looking at. Prices are pretty much the same as for the SEA LIFE London Aquarium and there are occasional special events for a similar entrance fee, like Time Out’s smart phone masterclasses. Of course, you can opt for a champagne experience too, for something extra special.
The trouble with London, understandably, is big city prices. Finding somewhere reasonably priced to eat in a city with such high rents can be a challenge. Fish and chips from the wagon on the South Bank would have set me back £10. If the weather’s fine, there’s another option. The Jubilee Gardens Trust work hard to maintain a sizeable patch of green space right next to the London Eye. There’s a play area for young children and the Trust have just purchased what was once a car park and have plans to turn it into an adventure playground for older children. It’s perfectly located for a summer picnic on a dry, sunny day.
Around ten minutes walk further east is one of my favourite spots this side of the river: Gabriel’s Wharf. This eclectic mix of boutiques and eateries has a more local vibe than the tourist traps closer to Westminster Bridge. Spend your £10 here, and it will buy you a delicious sit down lunch rather than an average takeaway. It’s worth checking out some of the independent stores here too. The House of Eunice works with artisans in India to create some unique clothing designs – the owner runs trips to India too if you’re keen to learn about the processes for yourself.
We really are lucky to have such a magnificent city on our doorstep. Thanks to the speedy trains, from my Essex village by the coast I can still be in the City of London in under 70 minutes door to door (as little as 48 minutes on the train). That is always a good feeling, particularly on the way home! The recently launched Norwich in 90 and Ipswich in under 60 services bring East Anglia even closer to the capital.
Need to know
If you buy your train ticket in advance you can travel to London from Colchester or even as far as Norwich for just £10 each way. From Southend, getting to London can cost as little as £6 single if you are flexible with dates and times. You don’t need an Oyster card to score the lowest fares within the capital, as you can tap in and tap out with a contactless debit card in the same way.
You don’t need me to tell you just how many visitor attractions there are in London. Greater Anglia offer a range of 2for1 deals which can add up to some pretty significant savings. Museums, theatre tickets and even bike tours are included in the promotion – dates and specific savings vary so check on Greater Anglia’s website for more details. While the SEA LIFE London Aquarium isn’t participating, their sister attractions in Southend and Yarmouth are. The current London Eye offer with a valid rail ticket is a 2for1 deal for £30.
With thanks to Greater Anglia for my train ticket and to Merlin Entertainments for complimentary passes to SEA LIFE London Aquarium and the Coca Cola London Eye. I appreciate their generosity. All views expressed in this blog are my own.
Regular readers of this blog will know that I’ve worked with Greater Anglia on several occasions. They sponsor me to go to places in the Greater Anglia network and in return, I share my experiences. This weekend, I took the intercity train to Norwich.
Journey time is only an hour from Colchester station, typically around half an hour quicker than it would be by road, and with standard advance fares costing as little as £8 each way, surprisingly cheap. Factor in Greater Anglia’s offers – accompanied children go for just £2 (just turn up on the day and nab this fare for any off peak journey on the network) and 2for1 deals on many attractions – it’s a tempting prospect.
To be honest, the intercity trains that currently run on the Greater Anglia network look pretty dated from the outside. However, when you step inside, they’ve been refurbished as part of a £12m upgrade. What you get is a very comfortable ride. The seats are like armchairs and there’s plenty of legroom. There’s a choice as you’d expect of table seating, great for families or groups of friends, and airline-style seats. That upgrade has paid for new carpets, seat covers, improved lighting and upgraded toilets. Best of all are the at-seat powerpoints, which came in very handy on the return journey when I needed to use my phone which as always had a woefully low battery. It’s also convenient to have onboard WiFi. The only thing I didn’t like was having to lean out of the window to open the carriage door, but fortunately those waiting on the platform helped when I couldn’t quite reach. It reminded me of the slam door trains in the 1970s, though getting out wasn’t as impossible as it was with that horizontal squeeze – if you travelled by rail back then, you’ll know exactly what I mean.
Anyway, I’d got so comfortable it was almost a pity to arrive in Norwich (and I promise I’m not just saying that because Greater Anglia paid my fare) But the sun was shining it was the first really mild day of the year, perfect for a stroll alongside the River Wensum which does a loop of the city centre. The river is almost right in front of the station. Within a couple of minutes, I was walking along a riverbank lined with willow trees. The first landmark I passed was Pull’s Ferry. This flint building was once a watergate and takes its name from John Pull, a ferryman, who ran the boats in the first part of the 19th century. Apparently, the stone that was used to construct Norwich Cathedral came in via this route, having been imported from Normandy.
I strolled further along the river bank until I came to the Red Lion pub. On its slipway, a group of people were stepping into wooden Canadian-style kayaks. Chantal and Nick set up Pub and Paddle a few years ago – this year will be their fourth summer and the business is going from strength to strength. Chantal told me that one of their most popular excursions is also their shortest, suitable for anyone. This four hour rental takes paddlers past the cathedral, football ground and Colman’s mustard factory to the village of Thorpe St Andrew. Most people take a break at one of the riverside pubs before returning to the Red Lion. At only £20 per person, it’s good value. Chantal and Nick make their own kayaks and also have a couple of wooden rowing boats for hire for those wishing to stay in the city centre. I didn’t have time to do this, but it’s definitely a good excuse to return.
My next stop was Cow Tower, a 14th century artillery tower built as a response to the threat posed to Norwich not only by the French but also by local rebel forces. Contrary to what its name suggests, it wasn’t constructed to shelter cows, though this Eastern Daily Press article suggests that might have happened later. Instead, it was named after the surrounding meadow, which was called Cowholm. It was big enough to hold a garrison but now, it’s just a shell, the floors and roof long gone. As a consequence, you can’t go inside. Nevertheless it’s an imposing structure, standing almost 15 metres high, and very photogenic in the spring sunshine, particularly when the daffodils are in bloom. On the other side of the path from the Cow Tower there’s a rather lovely carved wooden seat, its smooth curves perfect for lying back to watch cotton wool clouds scud across a blue sky.
I was reluctant to leave my seat, but wanted to take a look at Norwich Cathedral. Construction began in 1096, using local flint and mortar faced with that limestone imported from Caen. It’s quite a large site – actually two churches and an Anglo-Saxon settlement were knocked down to make room for this new structure, such was its scale. The cathedral close is the largest in England. By 1145, the cathedral was pretty much completed. The same building you see today would have had a wooden spire clad with lead, added in the 1160s. It was struck by lightning in 1169, less than two years after it was finished, so today’s spire dates from 1480.
The cloisters of this very grand church bear a resemblance to the colleges of Oxford or Cambridge and are the second largest in the country after those of Salisbury Cathedral. A quadrangle is bounded by walkways featuring elaborate vaulted ceilings; inside, the cathedral itself is even more impressive.
One of the more interesting modern additions is the copper baptismal font. Formed from two bowls, one upturned, it was donated to the cathedral when it was repurposed from its previous use – making chocolate in the Rowntree’s factory until it closed in 1994. Though a donation is suggested, entry is free. Allow plenty of time as the building warrants more than a quick look.
It was time for lunch and over on Tombland, Cocina caught my eye, two white statues flanking its doorway. Samson and Hercules are Norwich icons, though the figures that you see today are replicas, installed when the originals became too fragile to leave in place. In 1657, the two figures, both symbols of strength, were placed outside the home Christopher Jay, then the Mayor of Norwich.
The statues were removed from their pedestals in 1789 and reinstalled in the rear courtyard of the building; a century later antique dealer George Cubitt moved them back again. At that point, Hercules was in such a bad way he had to be replaced. In the 20th century, the building housed a dance hall and later a nightclub. In 1993, one of Samson’s arms fell off and years of paint were revealed. The two figures you see today might only have been placed there just before the millennium but are a much treasured part of the city’s history.
Taking a circuitous route to take in cobbled Elm Hill, my next target was the Museum of Norwich at the Bridewell. Whether you know a lot about Norwich or like me, embarrasingly little, it’s a fascinating place to spend a few hours. The £5.95 ticket charge is a steal. Originally constructed as the home of a rich merchant in 1325, it became a prison for women and beggars in the late 16th century (that’s what a Bridewell means).
The first inmate was one John Flowers, banged up for being accused of having “a lewd life and to be a counterfeiter of begging licences”. But the most interesting story was that of Jane Sellers. She was the Bridewell’s most persistent offender, serving nine sentences in just eight years in the early 17th century. Her first stint was for “being found idle at Trowse”. Several times she returned, did her time and promised to leave town to find work. But she never did. Instead she was caught stealing numerous times. The burglary she committed at the end of 1631 would be her last. The authorities lost patience with her and she was hanged.
After a pit stop at Jarrold’s for tea, I set off for the Plantation Garden, pausing for a quick look at the city’s Roman Catholic cathedral along the way. The garden is the work of a dedicated team of volunteers. Occupying an abandoned chalk quarry, the garden is Victorian in origin, something you might guess from the many follies and statuary that litter the garden. There’s a gothic fountain, Italianate terrace and mock mediaeval terrace wall, plus delightful woodland walkways and vibrant flower beds. Judging by the many people who’d spread picnic blankets or settled into the benches for a natter, it’s well used by locals and visitors alike. A honesty box is located by the gate for your £2 entrance fee.
Back in the heart of the city, there was time for one last stop before I would catch my train. Norwich Castle occupies a hilltop site overlooking the shopping streets below. There’s a £9.50 entrance fee which is expensive, but I was told that for the final hour each day, you can get in for just £2. Inside, as well as an impressive keep, you’ll find a collection of exhibits, some temporary. Right now, there’s a Viking display which is worth a look, as well as a section telling the story of Boudicca, Queen of the Iceni. For me, the museum lacked the emotional connection I got with the Bridewell, but I’m a hard sell, much more interested in social and industrial history than that of early Britain. If you’re local and have kids, I think they might enjoy the castle’s Knight Club or some of the special Easter events that are planned.
Have your own rail adventure
If you’d like to have your own rail adventure, then why not take a look at Greater Anglia’s website? You could visit Norwich, but there are plenty more places that offer a great day out – read my previous blogs on Harwich or Wivenhoe, for instance. I’d also love it if you would answer the simple yes/no review on this survey – being purely selfish, if you’ve been inspired by my day out, I get to do another!
Colchester’s been busy – a new advert using the tagline #ifthesewallscouldtalk has popped up on our television screens and sets out to promote the town’s many historic attractions. As England’s oldest recorded town and also its first Roman city, there’s a lot of history to uncover. But while most of us in the region know about Colchester’s castle, some of its more recent history can get overlooked.
As part of Greater Anglia’s summer #railadventure campaign, I set out to rediscover Colchester. The first decision I had to make was which station to use: Colchester has three railway stations. I opted to alight at Colchester Town (formerly known as St Botolph’s) as it is closer to the town centre than Colchester (also known as Colchester North) and Hythe. From there it was a six minute stroll to my first stop.
Tymperleys is a Tudor mansion tucked away in a courtyard off historic Trinity Street. Building began in the 1490s and over time it was added to and altered as the place changed hands. Among its illustrious owners was William Gilberd, an Elizabethan scientist who, it’s said, came up with the term “electricity”. Later, Colchester businessman Bernard Mason, who owned a successful printing firm, bought the place. His passion was clocks and amassed a collection of over 200 timepieces, one of the largest in Britain. This is what Wikipedia has to say about him:
Mason was a Freeman of the Worshipful Company of Clockmakers and the author of “Clock and Watchmaking in Colchester” (1969) which originally cost four guineas (£4 4s 0d £4.20). He was made an OBE in 1959. Mason claimed that there are 375 known examples of Colchester clocks and he managed to collect 216 of them in his lifetime, travelling far and wide to bring them back “home”.
After Mason’s death, he bequeathed his collection – and the house – to the people of Colchester. In 1987, the Tymperleys Clock Museum opened and would remain a popular attraction until 2011. But I had another reason to visit. These days, Tymperleys is perhaps (despite stiff competition!) the best cafe in the town centre and it’s especially lovely in the summer when you can eat al fresco in the delightful walled garden. No surprise, therefore, that most customers were sitting outside. With a fierce July sun beating down, I was glad of the shade of a garden umbrella as I enjoyed a tasty lunch surrounded by the pretty floral displays.
These days, not a single clock from Bernard’s collection – I asked – is left in Tymperleys. Before you fret, however, they have been moved. A short stroll across the town centre you’ll find them in the excellent Hollytrees Museum. It’s free to look around and learn something of the Colchester clockmaking industry which, it turns out, was quite something back in the day. Once a centre for baymaking (the manufacture of a felted woollen cloth), Colchester’s industry diversified in the Georgian era and it was then that the town became a centre for clock making.
Perhaps most productive of these craftsmen was Nathaniel Hedge. The Hedge family set up in business in 1739, running a factory from 1745 until the late 1780s. Other names to look out for include John Smorthwait, who trained up the young Nathaniel. One of the oldest clocks on display is a Thirty Hour Longcase clock made in 1698 by Jeremy Spurgin out of oak. Many of the pendulum clocks on display feature adornment in a style known as Japanning, a lacquered decorative finish involving paint and varnish. It’s an intricate style, a reminder that fashion was as important as function when it came to clockmaking.
By 1800, however, the industry had peaked and went into a steep decline as clocks could be made elsewhere much more cheaply. The industry and its contribution to Colchester’s history would be all but forgotten if it wasn’t for Bernard Mason. Whether you’re local or visiting from outside the region, it’s well worth the detour to take a look at this fascinating collection.
The visitor information centre is housed on the ground floor of Hollytrees Museum; their walking tours of the town provide an insight into the town’s past that you’d be hard pressed to achieve without their knowledgeable guide. For this and more on the town’s historic attractions, check out my previous blog.
Greater Anglia offered me a free train ticket in exchange for writing this review of my #railadventure. Travelling by train is an inexpensive way to travel, particularly off peak. For instance, if booked in advance, tickets from Norwich to London cost just £10, Cambridge to London can be had for £7 and Southend to London only £5 (all fares quoted are one way). Accompanied children travel for just £2 return and you don’t even have to pre-book their ticket – this fare is valid on all off peak trains within the Greater Anglia network. On top of this, GA are offering a 2FOR1 deal on top London attractions; with the summer holidays fast approaching this is great news for families. And don’t forget, the excellent Hollytrees Museum is free. It even has a kid-friendly display of vintage toys and a couple of nursery rhyme surprises, though I’ll leave you to discover those for yourself.
Colchester Town station had one last treat as I was waiting to board my train home. This poem, written by C. E. Benham in 1890 is entitled “A ballad of the Tendring Hundred” and you’ll find it on the station wall. Best read out loud – see how well your North Essex accent turns out!
Did you feel inspired to plan your own rail adventure after reading this blog? Why not complete Greater Anglia’s survey using this link:
Summer’s here and the skies are blue over my corner of Essex. Our river estuaries are at their most attractive at this time of year with plenty of birdlife making the most of the shallow water. Some of the best walks in the county follow the river banks and many are easy to reach by rail. So when Greater Anglia asked if I would like to help promote this summer’s #railadventure campaign, I jumped at the chance. Many of my favourite North Essex coastal towns and resorts are easily reached by rail, among them delightful Walton-on-the-Naze and Dovercourt’s historic lighthouses and Blue Flag beach. Regular readers of this blog might remember the super Greater Anglia days out I had in Harwich and Wivenhoe last summer – if you’ve never been, I’d definitely recommend them.
This excursion was inspired by a novel I found on a book exchange shelf in a guest house in Cape Verde. My charger wouldn’t function, the Kindle was out of juice and I’d resigned myself to a long flight back with no reading material. It was the only book on the shelf which was in English and when I turned it over to read the blurb, I found it was set in Essex. That book was “The Witch Finder’s Sister”, the debut novel by Beth Underwood which told the unsavoury tale of Matthew Hopkins, who held the position of Witchfinder General in 17th century Essex. Though born in Suffolk, Hopkins was closely associated with Manningtree and Mistley. Nowadays, they’re not only both reachable by train but a half hour walk apart.
The journey from Kelvedon required two changes of train but nevertheless ran like clockwork, taking just over half an hour in total. There’s even more opportunity to enjoy the countryside views on the way back – time it right as I did and there’s a direct train from Manningtree to Kelvedon taking just 20 minutes. It’s faster than driving, as well as being much less stressful. We’re wedded to the convenience of our cars, but on the train it’s nice to be able to get up and walk around – or sit back and relax on the comfortable seats. There was even sufficient time on the Colchester to Manningtree train to grab a coffee from the onboard buffet. For a less hurried walk when connecting to the Mistley train via the underpass my tip would be to find a seat nearer to the front of the train.
Alighting from the train, my first impressions of Mistley were favourable. The port, once centred on the transportation of grain and malt for the brewing industry, is still operational but many of the old buildings that line the quayside have been renovated and repurposed. The malt extract works on the opposite side of the road are still in business and the smell of malt permeated the air as I strolled down towards the village centre.
I couldn’t resist popping into Cooper’s Gallery to browse the colourful ceramics, paintings and textiles. Next time I shall walk in the opposite direction so that the gallery is my final stop; as it’s just across the road from the station I won’t have to walk far fully laden. This time, however, willpower was required as I wished to walk to Manningtree unencumbered by shopping bags. Liz, the gallery owner, was a mine of useful information about Mistley and the history of the quayside, lending me a calendar of old photographs to browse as I ate lunch at the T House cafe next door.
It was low tide and Liz explained how the partially submerged barge I could see from her window came to be stuck in the mud. Apparently, the sails of the Bijou caught alight during a bombing raid in 1940. So that the fire wouldn’t spread, she was cut free from her moorings and allowed to drift away from the quay. Burnt out, she’s been there ever since, the tide covering and uncovering this century-old vessel and gradually eroding what’s left.
Across the street was The Mistley Thorn. The present day building was built as a coaching inn about 1723 and is now a restaurant with rooms to stay in. A pub stood on the site in the mid 17th century which was reputedly owned by Matthew Hopkins. He was supposed to have “examined” his first witch at the Thorn in 1644. An information board on the side of the Thorn tells a little of the story that Beth Underwood so cleverly adapted for her novel.
In an age of mistrust and religious upheaval, Hopkins decided there was more money to be made as a witch finder than as a lawyer, switching professions and assuming the role of Witchfinder General by 1645. Witch hunting set in motion a chilling sequence of denunciation, interrogation and finally execution. The trials were a joke. So-called witches were said to bear the Devil’s mark, a part of their body that didn’t feel pain. This could be a mole or a birthmark, which Hopkins prodded with a spike or cut with a blunt knife to see if it bled.
Another method was to tie the alleged witch to a chair and throw her into a pond. God’s pure water would reject a witch, it was thought, and she would float, but if “proved” to be a witch, she would be hung. Hopkins used to carry out such practices at Mistley’s Hopping Bridge, a short walk from the Thorn. It’s said that his ghost haunts the site and is most likely to be seen when there’s a full moon.
The exact number of women who were targeted by Hopkins is not known, but it is thought that the prolific Hopkins was responsible for several hundred deaths. In less than two years the number of witches he convicted represented about 60% of the total number punished in England from the early 15th to the late 18th century. In 1646, a parson from Huntingdon by the name of John Gaule published a pamphlet exposing Hopkins methods for the nonsense they were. The Witchfinder General wrote back in an attempt to defend himself, but popular support for his actions had begun to wane. Hopkins retired to Manningtree, a rich man. He died in 1647 of tuberculosis and was buried in the churchyard at Mistley Heath; both the graveyard and his body are long gone.
I headed to Manningtree, passing Mistley Towers, erected as part of a failed scheme in the late 18th century to reinvent Mistley as a saltwater spa town. The twin towers that remain are all that’s left of a grand Georgian church, designed by Robert Adams and eventually demolished in 1870. I walked over the Hopping Bridge – in broad daylight I saw no ghosts. A lone swan glided across the still waters of the pond.
Across the road, following the south bank of the River Stour along what’s known as The Walls, I encountered more of these graceful birds. Mistley has been traditionally associated with a large population of mute swans, which have made their home here since the 18th century. Back then, as barley and other grain was unloaded at the quayside, some would be blown by the wind into the waters of the Stour and its tributary channels. Not surprisingly, the swans hung around to feed off this grain and have done so ever since. These days, those that remain are part of a domesticated herd.
The sun was out, fittingly for what’s termed the Essex Sunshine Coast, and I couldn’t resist an ice cream as I walked towards Manningtree. In Tudor times a centre for the cloth trade, later a port, Manningtree claims to be England’s smallest town (by area, not population). The town also gets a mention in the Shakespeare play Henry IV Part One, as Falstaff is likened to a “roasted Manningtree ox”. The Witch Finder’s evil reach extended to Manningtree too, for it was here that some of his victims were hanged, and the town sign bears his picture.
With bunting out and kids playing on the town beach, it was hard to imagine such troubled times. As I made my way to the train station, I thought what a pleasant afternoon I’d had on my latest #railadventure.
I received free train travel from Greater Anglia in exchange for writing this review of my #railadventure, but there are some great deals to be had for paying customers, particularly if you travel off peak. For instance, if you book in advance, tickets from Norwich to London are available at just £10, Cambridge to London at £7 and Southend to London at just £5 (all fares quoted are one way). Accompanied children travel for just £2 return and you don’t even have to pre-book for their ticket as this fare is valid on all off peak trains within the Greater Anglia network. On top of this, they are offering 2FOR1 on top London attractions, helping your summer holiday budget stretch further.
Did you feel inspired to plan your own rail adventure after reading this blog? Why not complete Greater Anglia’s survey using this link:
Fresh air and water are always a good combination. With excellent rail links as well, it made the riverside town of Wivenhoe a good choice for my third outing with Greater Anglia this summer. There’s an easy but very pleasant 4km walk that takes you along the banks of the River Colne from Hythe to Wivenhoe. The really good news is that if you don’t wish to walk it in both directions, the path is easily accessible from Hythe station and leads you straight into the station car park at Wivenhoe. Both the path and the railway line follow the banks of the Colne Estuary, offering splendid views. As a walk, it couldn’t be more convenient if it tried!
If you’ve been following my previous blogs, you’ll know that I’ve enjoyed days out by train to Harwich and to the East Anglian Railway Museum. Greater Anglia have some very affordable advance fares across their network as well as £2 child fares and many other offers. It’s well worth checking out their website if you’re at a loose end this summer.
I set off from Hythe station just before lunchtime and walked along the riverbank towards the University buildings and on towards the new apartments that are springing up. I’d come this route a thousand times – it’s on the way to B&Q and Tesco – but from the car, you just don’t see what’s under your nose. There’s some fantastic artwork to be seen.
Information boards telling a little of the area’s history help provide context. In parts, they form trail markers. You can’t miss them in their steel cages.
Following the river, I passed the iconic lightship and headed off in the direction of Wivenhoe. Urban becomes rural pretty quickly and it’s a pleasant and flat walk past riverside meadows, reed beds and woodland. Even on a weekday, there were plenty of joggers and cyclists using the trail, as well as a man in a wheelchair walking his dog. This is a trail for everyone to share.
Towards Wivenhoe, there’s a board marking the entrance to the Ferry Marsh Colne Local Nature Reserve; the name’s a bit of a mouthful but it’s well worth the diversion. There’s plenty of seating along the river banks on which to sit and watch the birdlife and see what the ebb and flow of the tide reveals. If you’re lucky you could even see otters or water voles.
But it was Wivenhoe that I’d come to see. From its railway station, I found myself on the charming quayside in just a few minutes. Wivenhoe Quay is packed with buildings of historic interest, among them The Nottage, open on weekends, housing a museum with an eclectic collection of nautical items. Every Saturday and Sunday afternoon until September 3rd you can visit to learn more about Captain Nottage, the Victorian army officer and keen yachtsman whose name is on the door.
Next door to The Nottage is the excellent Rose and Crown pub. Its outside tables are perfectly placed to watch the comings and goings along the Quay and the food’s not too shabby either. In the sunshine, there are few places in Essex more attractive for an al-fresco lunch.
I wanted to see something of Wivenhoe and began to explore its quiet streets. Just along Rose Lane, I noticed a blue plaque commemorating the great Miss Marple actress Joan Hickson, who once made her home here. Around the corner, I couldn’t resist browsing the produce on offer in the Village Deli. Owner Mike had an interesting take on the calorie issue presented by the ice cream on sale. According to him, if you use the attached spoon correctly, the calories can be neutralised and thus don’t count. That’ll be a salted caramel tub for me, then, and…
Along the High Street I found the Wivenhoe Bookshop, the kind of place that almost doesn’t exist anymore. Staff member Sue told me they’ve worked hard to create a space that works as a community cultural hub as well as a bookstore. Coming up there are writers’ workshops, book signings, a knitting group and even a philosophy breakfast, reflecting the University of Essex presence on the edge of town. You don’t have to be a local to get a warm welcome. The place has a homely feel – the sofa in the back room was just the kind of sofa you’d want to sink into on a rainy afternoon. I was blessed with blue skies so it was time to move on.
My final port of call was to The Sentinel Gallery, run by the delightful Pru Green whose enthusiasm for art is catching. Inside, work from some of East Anglia’s most talented artists was on display as well as some of the most colourful pottery you’ll find in the county. The modern structure features angular lines and huge panes of glass. It stands in stark contrast with the very traditional buildings that surround it, but it doesn’t jar. And the light which floods into the exhibition space is incredible. Even if you’re no art expert, this place is worth a visit, though don’t come on a Monday or a Tuesday as they’re closed.
Wivenhoe, I decided, had much to recommend it and if you want to see for yourself, there’s a ton of special events still to come this summer. The Sunday, August 20th, sees the Wivenhoe Crabbing Competition, great fun for all the family; register on the Quay from 10.30am. The town hosts its Beer Festival from September 1st to 3rd with the Art Sea Music Festival following close behind on September 9th. Throughout the summer season, a weekend foot ferry links Wivenhoe to Rowhedge and Fingringhoe so long as the tide is high enough. With limited parking in Wivenhoe, it’s a really good idea to take the train.
With thanks to Greater Anglia for providing transport to and from Wivenhoe.
Rail tickets and offers from Greater Anglia
The Nottage Maritime Institute
Rose and Crown pub
The Sentinel Gallery
It’s the people that make a place special. How often have you read that? It’s been written so often it’s a travel cliché. But sometimes it’s also true.
Greater Anglia have a range of offers on rail journeys across the network this summer. To find out more, look at the #lettheadventurebegin video on their website; the address is at the bottom of this blog. They invited me to pick somewhere in the network and in return for a rail ticket, they asked me to blog about my trip. I chose Harwich. I’ll admit that having consulted the timetable, I was a little concerned. To reach Harwich from my starting point necessitated two changes of train and with just a few minutes between each, I anticipated spending half the morning in Manningtree. After all, this wasn’t Switzerland, was it? I needn’t have worried. The trains were punctual, the connections made without even having to power walk and the carriages clean and comfortable. The views as we made our way on the Mayflower Line along the River Stour were the icing on the cake, and I thought what a refreshing change it was not to have to focus on the road and be able to enjoy them.
A ten minute stroll from Harwich Town station and I was already beginning to appreciate the town’s long maritime history. Using a walking trail map I’d found online, I ticked off both the High and Low Lighthouses, the second of three pairs of lighthouses that had been built around here to aid ships’ navigation along the North Sea coast. To ensure they maintained the correct course, the two lights needed to line up, one above the other.
The Treadwell Crane was fascinating too, operated by men walking on the inside of the wheels. I was grateful for the Harwich Society’s comprehensive website, for though an informative sign had been placed near the crane, it had been positioned at the foot of a steep grassy bank. To read it, I’d probably have been best off lying flat on the turf.
Heading along the estuary, I walked past the impressive murals on Wellington Road and doubled back to take a look at the Electric Palace. Built in 1911, there were two entrances, one to access seats costing a shilling, the other a more affordable sixpence. The cinema still holds regular screenings today, though the reminder to patrons to turn off mobile phones is a more recent addition to the signage.
Update July 2019: the Electric Palace is closed for extensive renovations and is currently scheduled to open in late spring 2020.
It was time to pop in to The Pier Hotel, right on the quayside. Looking like a little piece of Shoreditch, the hotel was slick, contemporary and on-trend, its staff welcoming. Manager Chris told me that I could find 113 different gins on the NAVYÄRD bar’s drinks menu, and I wondered how long you’d have to stay to work your way through them at what the government would deem an acceptable rate. With the view over the confluence of the Stour and Orwell right in front of the hotel’s terrace, it would be an absolute pleasure, though one which would have to wait for another time. I had a boat to catch, and it wasn’t going to wait.
A foot ferry had connected Harwich to Felixstowe for over a century, but it was under threat of closing for good when Austrian Christian Zemann spotted it was up for sale. Seeing the potential – it’s easily an hour’s drive from Harwich to Felixstowe – he bought the business. Though he’d always dreamed of making his living on the water, he didn’t know Harwich, nor the area which surrounded it. It was a gamble, but one that paid off.
With hard work and a nose for opportunity, Christian has expanded the business, running not only the foot ferry but evening cruises, bicycle rental and seal boat trips as well. In fact, he’s already bought a larger boat, increasing the capacity of the ferry from 12 passengers to 58. The level of commitment Christian has shown is extraordinary. Troubled by the drenching some of his passengers were getting out on deck, he invested £15000 in stabilisers to stop the new boat from tossing and pitching. I’m pleased to report it worked.
Christian’s latest venture, the boat trips to the grey and harbour seals that make their home at nearby Hamford Water, have already proved to be a gold mine. Once down to only a handful in number, there’s now a small but thriving colony of around 70 seals at the reserve. I asked Christian how close he got. “Well, the channel’s pretty narrow, so if I kill the engine, then you can hear them breathe,” he said. That sounded close enough to me.
Back on shore, there was one vessel on the quayside that just couldn’t be ignored, not least because of its scarlet livery. Built in 1958, LV18 was Trinity House’s last manned light vessel before it was retired from service in 1994. But as with the Harbour Ferry, this was a boat that wasn’t going to go quietly, thanks to one man – the ebullient and utterly charming Tony O’Neil. He bought the vessel for a nominal £1 and the Pharos Trust was set up to oversee its restoration. It opened in 2011 as Harwich’s quirkiest visitor attraction.
Update July 2019: since I took this photo, the cost of admission has risen to £4 for adults and £2 for children. Family tickets (2 adults and 4 children) are £10.
A musician by trade, Tony has a passion for radio. Visitors to the ship can see some of his extensive collection of antique and vintage radios on board, but with an estimated 1600 in his collection, some remain in storage in the hold. That passion for radio also manifests itself in broadcasting. Tony once worked for Radio Caroline and his enthusiasm for pirate radio is undimmed. The likes of John Peel, Tony Blackburn, Emperor Rosko and Johnnie Walker all broadcast from radio ships anchored just outside UK territorial waters and the tenders that facilitated their commute came from Harwich.
Even the beautiful garden that you see on deck has a musical connection. The scented plants that form part of it are there in homage to John Peel. His 1967 show for pirate station Radio London was named “The Perfumed Garden.” Johnnie Walker is still involved. He’s a patron of the Pharos Trust and will broadcast from LV18 this August.
For anyone keen on maritime history, Tony has preserved some of the cabins on board just as they would have been when the vessel was in use as a lightship. There’s also a chance to see what a pirate radio station would have been like. There’s so much in the way of nautical and radio memorabilia that some have dubbed it a “floating prop shop”. Unsurprisingly, it caught the eye of the production team working on the 2008 movie “The Boat that Rocked” and with a splash of yellow paint for the occasion, doubled as Radio Sunshine.
It is individuals like Christian and Tony that are breathing life into a town that once lay forgotten at the end of the line. Their energy and commitment to this corner of Essex is helping to make Harwich the town that rocks.
Greater Anglia trains:
Harwich Harbour Ferry:
Seal boat trips:
The Pier Hotel:
Eighteen months ago, I moved to a village close to Britain’s oldest recorded town. Colchester was mentioned by Pliny the Elder in 77 AD; it was then known as the Roman settlement of Camulodunum. After much time spent doing DIY and decorating the house, I decided it was time to get out and explore the town on my doorstep. Today that took me to the delightful Bourne Mill, a National Trust property just outside Colchester town centre.
If you live in East Anglia, you might be interested to know that Greater Anglia are running a promotion this summer called Let the Adventure Begin. There’s also a competition running until mid-August in which you could win first-class train tickets to any station on their network:
Win that, and you too could be exploring Colchester. Visitors today can see plenty of evidence of the town’s long history, from the Roman Berryfield mosaic at Firstsite to surviving groundworks of the Roman theatre which can be seen in Maidenburgh Street in the town’s Dutch Quarter. The Tourist Information Centre run a superb bi-weekly walking tour which I highly recommend.
Now, look closely at the photo above and in particular, the materials used to build the castle. The structure that you see is Norman. Construction began in 1076, similar to the Tower of London, but all is not what it seems. The foundations stand on what was the Temple of Claudius dating from about 55-60 AD and many of the building materials were recycled from Roman Colchester. In particular, look at the red stones that form the cornerstones – they look almost like roof tiles. These crop up elsewhere too, for example, in the remains of the fortifications that once encircled the town (you can make them out about halfway up the original wall to the left of the picture below):
I shouldn’t have been surprised, therefore, to see the same materials plundered to build Bourne Mill, located about a 20 minute walk away. This National Trust property was originally a fishing lodge used by the monks of St John’s Abbey. A stream, the Bourne, emerges a short distance north of the site and spills out to form a large pond, thought to have been created artificially as there appears to be no geological reason for the water to widen.
After the dissolution of the monasteries during the reign of Henry VIII, St John’s Abbey passed to the Lucas family and later, they began to demolish it. Seeking to improve on the monks’ fishing hut, they constructed what’s now Bourne Mill. The stones were cannibalised and together with those Roman bricks, pieces of flint and some Walton-on-the-Naze septaria to hold it all together, this wonderful building was the result.
Well actually, not quite.
What Sir Thomas Lucas built was a single story dwelling, thought to be a place where he could go with his well-heeled mates to fish and then hang out over dinner. On the ground floor, there are two fireplaces which lend credence to this theory. Carp, pike and wildfowl would have been plentiful so it seems likely that this story is true. This beautiful banner, stitched by the Colne and Colchester Embroiderers Guild, tells the story.
But that story doesn’t end there, of course. Now that Britain was Protestant, it became a haven for those fleeing religious persecution in Catholic Europe. Granted refuge by Queen Elizabeth 1 in 1565, they boosted the town’s population, congregating in what would later become known as Colchester’s Dutch Quarter. Though they kept themselves separate when it came to socialising and marriage, they did have a profound effect on the north Essex landscape and economy, bringing their weaving industry skills and breathing new life into a flagging industry.
The Dutch introduced new worsted draperies, known as bays and says. They were lighter and cheaper, and not surprisingly proved very popular. A method of quality control was introduced in 1631, immediately raising the status of Colchester cloth. That Dutch seal automatically meant that your cloth fetched a higher price; faulty workmanship, on the other hand, would lead to fines (called rawboots) being levied.
Bourne Mill grew an upper storey, recognisable by the gable ends that are also commonly found in the Netherlands and Belgium. It became a fulling mill, a place where cloth was softened to make it more wearable. A waterwheel would have made the process of hammering the fabric much less labour-intensive. Initially urine, collected from the poorhouse, would have been used in the process; the ammonia it contained helped to clean and whiten the cloth. Later, Fuller’s earth would have been used instead. Afterwards, the cloth was stretched on frames known as tenters to dry – attached by tenterhooks.
After a while, the Essex cloth industry fell into decline once more. The cloth industry, bay especially, was vulnerable in the 18th century to disruption by wars, competition from rival manufacturers, and the import of cotton. As the cloth industry declined, the fulling mills were converted to grind corn or grain, competing with the many windmills that dotted the landscape. By around 1840, Bourne Mill was no longer in use as a fulling mill. It was converted to a corn mill by 1860 and it’s for this purpose that the uppermost floor and sack hoist would have been installed. Later, it was steam driven, but the last miller hung up his apron in 1935.
Honestly, I was pleasantly surprised at just how much there was to see and learn at Bourne Mill, expecting only to see a waterwheel and not a lot more. The team of volunteers work hard to bring the Mill’s history to life and succeed in communicating their enthusiasm. I’d especially like to thank Liz Mullen and Joan Orme for their insights and for not burdening me with more historical detail than I could cope with.
Acknowledgements and practical information
I’d like to say thanks to the National Trust who provided me with a free pass to visit Bourne Mill. If you’d like to do the same, entrance costs £3.75 for adults and £1.90 for children. The place is open from Wednesday to Sunday inclusive, from 10am to 5pm. Dogs are welcome on a lead, though there’s a steep ladder-like staircase to the upper storey which they won’t be able to access. There’s a small cafe too and plenty of picnic tables perfect for sitting and watching the ducks, including Joan’s favourite with the quiff.
There are plenty of things to do with the kids, including free use of the Mill’s pond dipping equipment, making this a good choice now that the school summer holidays are upon us:
The National Trust website also has a guided walk which you can follow to get a better grasp of your surroundings. I shall be back soon to try it out.
If you’d like to begin with the Camulodunum to Colchester walking tour, then this takes place at 11am on Saturdays year-round, with additional walks on Wednesdays at the same time throughout the summer. Walks need to be pre-booked as they do fill up; adults cost £4.30 and children £3.10. Find out more here:
At Bourne Mill, parking is limited on site – Sir Thomas Lucas didn’t plan ahead – but you should be able to find roadside parking nearby. Better still, take the train. Greater Anglia’s nearest station is Colchester Town. It’s about a 20 minute walk from the town centre to the Mill, but you can catch a bus to Mersea Road from outside the station if your feet have had enough.
The fastest connections from London Liverpool Street to Colchester’s main station take just 46 minutes and just over an hour to the Colchester Town station right in the centre of town. More details can be found on the Greater Anglia website: