Colchester’s been busy – a new advert using the tagline #ifthesewallscouldtalk has popped up on our television screens and sets out to promote the town’s many historic attractions. As England’s oldest recorded town and also its first Roman city, there’s a lot of history to uncover. But while most of us in the region know about Colchester’s castle, some of its more recent history can get overlooked.
As part of Greater Anglia’s summer #railadventure campaign, I set out to rediscover Colchester. The first decision I had to make was which station to use: Colchester has three railway stations. I opted to alight at Colchester Town (formerly known as St Botolph’s) as it is closer to the town centre than Colchester (also known as Colchester North) and Hythe. From there it was a six minute stroll to my first stop.
Tymperleys is a Tudor mansion tucked away in a courtyard off historic Trinity Street. Building began in the 1490s and over time it was added to and altered as the place changed hands. Among its illustrious owners was William Gilberd, an Elizabethan scientist who, it’s said, came up with the term “electricity”. Later, Colchester businessman Bernard Mason, who owned a successful printing firm, bought the place. His passion was clocks and amassed a collection of over 200 timepieces, one of the largest in Britain. This is what Wikipedia has to say about him:
Mason was a Freeman of the Worshipful Company of Clockmakers and the author of “Clock and Watchmaking in Colchester” (1969) which originally cost four guineas (£4 4s 0d £4.20). He was made an OBE in 1959. Mason claimed that there are 375 known examples of Colchester clocks and he managed to collect 216 of them in his lifetime, travelling far and wide to bring them back “home”.
After Mason’s death, he bequeathed his collection – and the house – to the people of Colchester. In 1987, the Tymperleys Clock Museum opened and would remain a popular attraction until 2011. But I had another reason to visit. These days, Tymperleys is perhaps (despite stiff competition!) the best cafe in the town centre and it’s especially lovely in the summer when you can eat al fresco in the delightful walled garden. No surprise, therefore, that most customers were sitting outside. With a fierce July sun beating down, I was glad of the shade of a garden umbrella as I enjoyed a tasty lunch surrounded by the pretty floral displays.
These days, not a single clock from Bernard’s collection – I asked – is left in Tymperleys. Before you fret, however, they have been moved. A short stroll across the town centre you’ll find them in the excellent Hollytrees Museum. It’s free to look around and learn something of the Colchester clockmaking industry which, it turns out, was quite something back in the day. Once a centre for baymaking (the manufacture of a felted woollen cloth), Colchester’s industry diversified in the Georgian era and it was then that the town became a centre for clock making.
Perhaps most productive of these craftsmen was Nathaniel Hedge. The Hedge family set up in business in 1739, running a factory from 1745 until the late 1780s. Other names to look out for include John Smorthwait, who trained up the young Nathaniel. One of the oldest clocks on display is a Thirty Hour Longcase clock made in 1698 by Jeremy Spurgin out of oak. Many of the pendulum clocks on display feature adornment in a style known as Japanning, a lacquered decorative finish involving paint and varnish. It’s an intricate style, a reminder that fashion was as important as function when it came to clockmaking.
By 1800, however, the industry had peaked and went into a steep decline as clocks could be made elsewhere much more cheaply. The industry and its contribution to Colchester’s history would be all but forgotten if it wasn’t for Bernard Mason. Whether you’re local or visiting from outside the region, it’s well worth the detour to take a look at this fascinating collection.
The visitor information centre is housed on the ground floor of Hollytrees Museum; their walking tours of the town provide an insight into the town’s past that you’d be hard pressed to achieve without their knowledgeable guide. For this and more on the town’s historic attractions, check out my previous blog.
Greater Anglia offered me a free train ticket in exchange for writing this review of my #railadventure. Travelling by train is an inexpensive way to travel, particularly off peak. For instance, if booked in advance, tickets from Norwich to London cost just £10, Cambridge to London can be had for £7 and Southend to London only £5 (all fares quoted are one way). Accompanied children travel for just £2 return and you don’t even have to pre-book their ticket – this fare is valid on all off peak trains within the Greater Anglia network. On top of this, GA are offering a 2FOR1 deal on top London attractions; with the summer holidays fast approaching this is great news for families. And don’t forget, the excellent Hollytrees Museum is free. It even has a kid-friendly display of vintage toys and a couple of nursery rhyme surprises, though I’ll leave you to discover those for yourself.
Colchester Town station had one last treat as I was waiting to board my train home. This poem, written by C. E. Benham in 1890 is entitled “A ballad of the Tendring Hundred” and you’ll find it on the station wall. Best read out loud – see how well your North Essex accent turns out!
Did you feel inspired to plan your own rail adventure after reading this blog? Why not complete Greater Anglia’s survey using this link:
Eighteen months ago, I moved to a village close to Britain’s oldest recorded town. Colchester was mentioned by Pliny the Elder in 77 AD; it was then known as the Roman settlement of Camulodunum. After much time spent doing DIY and decorating the house, I decided it was time to get out and explore the town on my doorstep. Today that took me to the delightful Bourne Mill, a National Trust property just outside Colchester town centre.
If you live in East Anglia, you might be interested to know that Greater Anglia are running a promotion this summer called Let the Adventure Begin. There’s also a competition running until mid-August in which you could win first-class train tickets to any station on their network:
Win that, and you too could be exploring Colchester. Visitors today can see plenty of evidence of the town’s long history, from the Roman Berryfield mosaic at Firstsite to surviving groundworks of the Roman theatre which can be seen in Maidenburgh Street in the town’s Dutch Quarter. The Tourist Information Centre run a superb bi-weekly walking tour which I highly recommend.
Now, look closely at the photo above and in particular, the materials used to build the castle. The structure that you see is Norman. Construction began in 1076, similar to the Tower of London, but all is not what it seems. The foundations stand on what was the Temple of Claudius dating from about 55-60 AD and many of the building materials were recycled from Roman Colchester. In particular, look at the red stones that form the cornerstones – they look almost like roof tiles. These crop up elsewhere too, for example, in the remains of the fortifications that once encircled the town (you can make them out about halfway up the original wall to the left of the picture below):
I shouldn’t have been surprised, therefore, to see the same materials plundered to build Bourne Mill, located about a 20 minute walk away. This National Trust property was originally a fishing lodge used by the monks of St John’s Abbey. A stream, the Bourne, emerges a short distance north of the site and spills out to form a large pond, thought to have been created artificially as there appears to be no geological reason for the water to widen.
After the dissolution of the monasteries during the reign of Henry VIII, St John’s Abbey passed to the Lucas family and later, they began to demolish it. Seeking to improve on the monks’ fishing hut, they constructed what’s now Bourne Mill. The stones were cannibalised and together with those Roman bricks, pieces of flint and some Walton-on-the-Naze septaria to hold it all together, this wonderful building was the result.
Well actually, not quite.
What Sir Thomas Lucas built was a single story dwelling, thought to be a place where he could go with his well-heeled mates to fish and then hang out over dinner. On the ground floor, there are two fireplaces which lend credence to this theory. Carp, pike and wildfowl would have been plentiful so it seems likely that this story is true. This beautiful banner, stitched by the Colne and Colchester Embroiderers Guild, tells the story.
But that story doesn’t end there, of course. Now that Britain was Protestant, it became a haven for those fleeing religious persecution in Catholic Europe. Granted refuge by Queen Elizabeth 1 in 1565, they boosted the town’s population, congregating in what would later become known as Colchester’s Dutch Quarter. Though they kept themselves separate when it came to socialising and marriage, they did have a profound effect on the north Essex landscape and economy, bringing their weaving industry skills and breathing new life into a flagging industry.
The Dutch introduced new worsted draperies, known as bays and says. They were lighter and cheaper, and not surprisingly proved very popular. A method of quality control was introduced in 1631, immediately raising the status of Colchester cloth. That Dutch seal automatically meant that your cloth fetched a higher price; faulty workmanship, on the other hand, would lead to fines (called rawboots) being levied.
Bourne Mill grew an upper storey, recognisable by the gable ends that are also commonly found in the Netherlands and Belgium. It became a fulling mill, a place where cloth was softened to make it more wearable. A waterwheel would have made the process of hammering the fabric much less labour-intensive. Initially urine, collected from the poorhouse, would have been used in the process; the ammonia it contained helped to clean and whiten the cloth. Later, Fuller’s earth would have been used instead. Afterwards, the cloth was stretched on frames known as tenters to dry – attached by tenterhooks.
After a while, the Essex cloth industry fell into decline once more. The cloth industry, bay especially, was vulnerable in the 18th century to disruption by wars, competition from rival manufacturers, and the import of cotton. As the cloth industry declined, the fulling mills were converted to grind corn or grain, competing with the many windmills that dotted the landscape. By around 1840, Bourne Mill was no longer in use as a fulling mill. It was converted to a corn mill by 1860 and it’s for this purpose that the uppermost floor and sack hoist would have been installed. Later, it was steam driven, but the last miller hung up his apron in 1935.
Honestly, I was pleasantly surprised at just how much there was to see and learn at Bourne Mill, expecting only to see a waterwheel and not a lot more. The team of volunteers work hard to bring the Mill’s history to life and succeed in communicating their enthusiasm. I’d especially like to thank Liz Mullen and Joan Orme for their insights and for not burdening me with more historical detail than I could cope with.
Acknowledgements and practical information
I’d like to say thanks to the National Trust who provided me with a free pass to visit Bourne Mill. If you’d like to do the same, entrance costs £3.75 for adults and £1.90 for children. The place is open from Wednesday to Sunday inclusive, from 10am to 5pm. Dogs are welcome on a lead, though there’s a steep ladder-like staircase to the upper storey which they won’t be able to access. There’s a small cafe too and plenty of picnic tables perfect for sitting and watching the ducks, including Joan’s favourite with the quiff.
There are plenty of things to do with the kids, including free use of the Mill’s pond dipping equipment, making this a good choice now that the school summer holidays are upon us:
The National Trust website also has a guided walk which you can follow to get a better grasp of your surroundings. I shall be back soon to try it out.
If you’d like to begin with the Camulodunum to Colchester walking tour, then this takes place at 11am on Saturdays year-round, with additional walks on Wednesdays at the same time throughout the summer. Walks need to be pre-booked as they do fill up; adults cost £4.30 and children £3.10. Find out more here:
At Bourne Mill, parking is limited on site – Sir Thomas Lucas didn’t plan ahead – but you should be able to find roadside parking nearby. Better still, take the train. Greater Anglia’s nearest station is Colchester Town. It’s about a 20 minute walk from the town centre to the Mill, but you can catch a bus to Mersea Road from outside the station if your feet have had enough.
The fastest connections from London Liverpool Street to Colchester’s main station take just 46 minutes and just over an hour to the Colchester Town station right in the centre of town. More details can be found on the Greater Anglia website: